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All in God's Time:
Woodrow Wilson was president when I was born. He was reelected in 1916 as a peace candidate, which was the same year my mother brought me to Hume, Virginia to live with my grandfather, Elder Phillip Washington. Elder Washington was the third pastor of the Mount Morris Baptist Church. President Wilson tried to mediate between the warring nations; but when the Germans resumed unrestricted submarine warfare in 1917, Wilson brought the United States into what is now believed to have been a war that made the world safe for democracy. You may think this is a bit of abstract history, but it actually parallels my life in an odd way. You see, I was born on October 18, 1913 in Washington, DC, and my grandfather didnt like me at all (he was at war) but when my mother brought me to him in 1916, my innocence brought peace to our family. You see, I reminded him too much of my father and he refused to allow my parents to marry.
Professor-Politician
Professor-Politician challenges common depictions of politics as a constant struggle of good-versus-evil and heroes-versus-villains, with “dirty politics” usually winning. The truth is that good government can prevail in Montgomery and Washington. Journalist Geni Certain recounts Glen Browder’s civic adventures as one of Alabama’s prominent scholars and public officials over the past half-century. This is a story of practical and reform politics told by someone specially positioned to comment on Alabama government and American democracy. Certain interviewed knowledgeable people, researched public records, and scoured the Browder Collection at Jacksonville State University for this intriguing and inspiring biography of a civic-oriented leader.
Dreaming in Ensemble
A revelatory new account of Black innovation in American opera, showing how composers, performers, and critics redefined the genre both aesthetically and politically in the early twentieth century. The inauguration of a “golden age” in Black opera is often dated to 1955, when Marian Anderson became the first Black singer to perform in a leading role at New York’s Metropolitan Opera. Yet Anderson’s debut was actually preceded by a rich Black operatic tradition that developed in the first half of the twentieth century. Lucy Caplan tells the stories of the Black composers, performers, critics, teachers, and students who created this vibrant opera culture, even as they were excluded from...
So You Want to Sing Spirituals
With their rich and complicated history, spirituals hold a special place in the American musical tradition. This soul-stirring musical form is irresistible to singers seeking to diversify their performance repertoire, but it is also riddled with controversy, especially for singers of non-African descent. Singer and historian Randye Jones welcomes singers of all backgrounds into the style while she explores its folk song roots and transformation into choral and solo vocal concert repertoire. Profiling key composers and pioneers of the genre, Jones also discusses the use of dialect and other controversial performance considerations. Contributed chapters address elements of collaborative piano, studio teaching, choral arrangement, voice science, and vocal health as they apply to the performance of spirituals. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Spirituals features online supplemental material on the NATS website.
Accessibility, Diversity, Equity and Inclusion in the Cultural Sector
Advocating for the immersion of ADEI practices into the heart of art organizations, this title links theory, practice and context as a way to further enrich cultural communities and wield the deeply human power of art for real human impact.
Grant's Secret Service
William B. Feis offers us the first scholarly examination of the use of military intelligence under Ulysses S.øGrant?s command during the Civil War. Feis makes the new and provocative argument that Grant?s use of the Army of the Potomac?s Bureau of Military Information played a significant role in Lee?s defeat. Feis?s work articulately rebuts accusations by Grant?s detractors that his battlefield successes involved little more than the bludgeoning of an undermanned and outgunned opponent.
Contemporary Approaches to Adaptation in Theatre
This book examines contemporary approaches to adaptation in theatre through seventeen international case studies. It explores company and directorial approaches to adaptation through analysis of the work of Kneehigh, Mabou Mines, Robert Le Page and Katie Mitchell. It then moves on to look at the transformation of the novel onto the stage in the work of Mitchell, and in The Red Badge of Courage, The Kite Runner, Anne Frank, and Fanny Hill. Next, it examines contemporary radical adaptations of Trojan Women and The Iliad. Finally, it looks at five different approaches to postmodern metatheatrical adaptation in early modern texts of Hamlet, The Changeling, and Faustus, as well as the work of the Neo-Futurists, and the mash-up Medea/Macbeth/Cinderella. Overall, this comprehensive study offers insights into key productions, ideas about approaches to adaptation, and current debates on fidelity, postmodernism and remediation.
Opera in a Multicultural World
Through historical and contemporary examples, this book critically explores the relevance and expressions of multicultural representation in western European operatic genres in the modern world. It reveals their approaches to reflecting identity, transmitting meaning, and inspiring creation, as well as the ambiguities and contradictions that occur across the time and place(s) of their performance. This collection brings academic researchers in opera studies into conversation with previously unheard voices of performers, critics, and creators to speak to issues of race, ethnicity, and culture in the genre. Together, they deliver a powerful critique of the perpetuation of the values and practi...
African American Arts
Trans Identity as Embodied Afrofuturism / Amber Johnson -- "I Luh God" : Erica Campbell, Trap Gospel and the Moral Mask of Language Discrimination / Sammantha McCalla -- The Conciliation Project as a Social Experiment : Behind the Mask of Uncle Tomism and the Performance of Blackness / Jasmine Coles & Tawnya Pettiford-Wates.
From Spirituals to Symphonies
Exploding the assumption that black women's only important musical contributions have been in folk, jazz, and pop Helen Walker-Hill's unique study provides a carefully researched examination of the history and scope of musical composition by African American women composers from the nineteenth and twentieth centuries. Focusing on the effect of race, gender, and class, From Spirituals to Symphonies notes the important role played by individual personalities and circumstances in shaping this underappreciated category of American art. The study also provides in-depth exploration of the backgrounds, experiences, and musical compositions of eight African American women including Margaret Bonds, Undine Smith Moore, and Julia Perry, who combined the techniques of Western art music with their own cultural traditions and individual gifts. Despite having gained national and international recognition during their lifetimes, the contributions of many of these women are today forgotten.
