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This is a new release of the original 1927 edition.
This signature in greyish ink is written on a fragment of blue paper, and evidently came from a letter to the writer's son.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
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'A lavishly illustrated, affectionate treatment by one of the finest critics of our time...Kerr is more than a brilliant master of verbal description; he is a penetrating, lucid theorist. This book is as much about comedy as about movies, about eyes and ears and how and why we laugh.'-Thomas Wills, Chicago Tribune Book World
A gripping historical drama set against the backdrop of the brutal expulsion of the Acadian people from their homes in Nova Scotia during the French and Indian War. Author Walter S. Kerr uses vivid language and memorable characters to bring this tragic chapter of Canadian history to life. This book is a must-read for anyone interested in Canadian history or the themes of identity, exile, and resistance. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"The Birds" (414 B.C.) was Aristophanes' first Utopian play. In this instance, he has his "comedy team" leave Athens, fed up with frauds and bores of that society, in an effort to found a better society among the birds. To do so, they must first locate Epops, King of the Birds, who was once a man like themselves and who might be expected to know both sides of the problem. How they find him and what they persuade him to do is the body of the play.
In this interview, Hughes discusses influences on his art and the dilemmas facing the contemporary black man.
Excerpt from Valuable Paintings: The Collection of the Late Walter Kerr, of East Orange, New Jersey, and Other Collections At profile to the right with white snout and neck, and brown ears and parts Of head, nicely marked. Pastel. Signed at lower right. Height, 16 inches; width, 12 inches. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"Working On A Song is one of the best books about lyric writing for the theater I've read."—Lin-Manuel Miranda Anaïs Mitchell named to TIME's List of the 100 Most Influential People in the World of 2020 An illuminating book of lyrics and stories from Hadestown—the winner of eight Tony Awards, including Best Musical—from its author, songwriter Anaïs Mitchell with a foreword by Steve Earle On Broadway, this fresh take on the Greek myth of Orpheus and Eurydice has become a modern classic. Heralded as “The best new musical of the season,” by The Wall Street Journal, and “Sumptuous. Gorgeous. As good as it gets,” by The New York Times, the show was a breakout hit, with its poignant social commentary, and spellbinding music and lyrics. In this book, Anaïs Mitchell takes readers inside her more than decade’s-long process of building the musical from the ground up—detailing her inspiration, breaking down the lyrics, and opening up the process of creation that gave birth to Hadestown. Fans and newcomers alike will love this deeply thoughtful, revealing look at how the songs from “the underground” evolved, and became the songs we sing again and again.