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Waxworks
London, 1921. The world's greatest wax sculptor watches in horror as flames consume his museum and melt his uncannily lifelike creations. Twelve years later, he opens a wax museum in New York. Crippled, disfigured, and driven mad by the fire, he resorts to body snatching and murder to populate his displays, preserving the bodies in wax. "In a thousand years you will be as lovely as you are now, " he assures one victim. In The Mystery of the Wax Museum (1933), director Michael Curtiz perfectly captures the macabre essence of realistic wax figures that have excited the darker aspects of the public's imagination ever since Madame Tussaud established her famous museum in London in 1802. Artists,...
Waxworks
New terrain is marked in Frieda Hughes's brilliant new collection, Waxworks. In it, Hughes has conceived and created a kind of poetic wax museum. She peoples it with figures from myth and legend, the Bible and world history, the famous and the infamous. Diverse personalities, such as Rasputin and Cinderella, Medea and Lazarus, Houdini and Lady Macbeth, have been reborn of their old selves in Waxworks. Hughes imbues them with new life in contemporary terms; they experience the universal truths of love and pain and vanity that affect us all. As this volume proves, Hughes never flinches from difficult subjects and experiences. Like Wooroloo, Frieda Hughes's debut collection, the poems of Waxworks will haunt a reader's imagination.
Madame Tussaud
Tussaud's catered for the public's fascination with monarchy, whether Henry VIII and his wives or Queen Victoria, as well as for their love of history, acting as an accessible and enjoyable museum. This work looks at Madame Tussaud herself and her exhibition as part of the wider history of wax modelling and of popular entertainment.
The waxworks murder
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The Corpse in the Waxworks
"The purpose, the illusion, the spirit of a waxworks. It is an atmosphere of death. It is soundless and motionless... Do you see?" Last night Mademoiselle Duchêne was seen heading into the Gallery of Horrors at the Musée Augustin waxworks, alive. Today she was found in the Seine, murdered. The museum's proprietor, long perturbed by the unnatural vitality of his figures, claims that he saw one of them following the victim into the dark—a lead that Henri Bencolin, head of the Paris police and expert of 'impossible' crimes, cannot possibly resist. Surrounded by the eerie noises of the night, Bencolin prepares to enter the ill-fated waxworks, his associate Jeff Marle and the victim's fiancé...
The Haunted Screen
The Golden Age of German cinema began at the end of the First World War and ended shortly after the coming of sound. From The Cabinet of Dr. Caligari onwards the principal films of this period were characterized by two influences: literary Expressionism, and the innovations of the theatre directors of this period, in particular Max Reinhardt. This book demonstrates the connection between German Romanticism and the cinema through Expressionist writings. It discusses the influence of the theatre: the handling of crowds; the use of different levels, and of selective lighting on a predominately dark stage; the reliance on formalized gesture; the innovation of the intimate theatre. Against this b...
Capital Punishment in Twentieth-Century Britain
Capital punishment for murder was abolished in Britain in 1965. At this time, the way people in Britain perceived and understood the death penalty had changed – it was an issue that had become increasingly controversial, high-profile and fraught with emotion. In order to understand why this was, it is necessary to examine how ordinary people learned about and experienced capital punishment. Drawing on primary research, this book explores the cultural life of the death penalty in Britain in the twentieth century, including an exploration of the role of the popular press and a discussion of portrayals of the death penalty in plays, novels and films. Popular protest against capital punishment...
