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She hadn't told anyone. Not a single soul. Not one word about that night and what had been done to her had ever passed Maddy Malone's lips. She'd thought about it at first - had been desperate, even frantic, to tell. But then had come the shame, and the intimidation from the boys who raped her - and the one who held her down. Now it's the beginning of a new school year and Maddy is hoping that she can continue to hide, making herself as quiet and small as possible. She is consumed with keeping the memories at bay, forcing them down through small cuts and the burn from the end of a cigarette. But when her English class is given the assignment of writing a collaborative novel about a fifteen-year-old girl, The Pain Eater, fact and fiction begin to meet up. When the boys spread rumors about Maddy, she realizes that continuing to hide the truth will only give them more control, and she slowly gains the courage to confront them.
This volume documents the literary controversy and debate over Samuel Richardson's novel, "Pamela", published in 1741. It brings together and reprints key sources within the debate, including artists such as Francis Hayman, Hubert Gravelot, Joseph Highmore and Philip Mercer.
"Fat People Don't Go to Heaven!" screamed a headline in the tabloid Globe in November 2000. The story recounted the success of the Weigh Down Workshop, the nation's largest Christian diet corporation and the subject of extensive press coverage from Larry King Live to the New Yorker. In the United States today, hundreds of thousands of people are making diet a religious duty by enrolling in Christian diet programs and reading Christian diet literature like What Would Jesus Eat? and Fit for God. Written with style and wit, far ranging in its implications, and rich with the stories of real people, Born Again Bodies launches a provocative yet sensitive investigation into Christian fitness and di...
In his most important book since "The Sacred Balance" and his most personal ever, revered activist and thinker David Suzuki draws on the experiences and wisdom he has gained over his long life and offers advice, stories, and inspiration to his six grandchildren.
The saga begins. First, let’s meet the parents. It’s March 1970 and Beverley McLean – of the McLean’s Furniture McLeans – is not impressed. Beverley went to university for two purposes: to be challenged academically and to find a husband. University is more than living up to her expectations concerning the former, but the latter purpose? Well, two years in and she’s already coming up with a back-up plan. All the real men seem to be taken, with only boys – young and old – left to pick from. Henry Campbell certainly looks like a boy not a man: a different girl on his arm every time Bev sees him. He’s also handsome, athletic, smart, and (all the girls know) well-off. Boy or ma...
Part recovery narrative and part love story, interwoven with the latest research on the brain, Fallen describes the aftermath of a life-threatening brain and spinal cord injury. In 2008, Simon Paradis stepped backward on the scaffolding where he was doing construction work and fell two stories to the hard stone tile below. Landing on his back, head, and spine, he suffered a severe brain and spinal cord injury. Doctors warned his wife, Kara Stanley, that he probably would not survive, and that if he did, his mind and his body would never be the same. In Fallen, Kara Stanley chronicles the effect of this catastrophic accident on both Simon and her and on their marriage. Combining the heart-wre...
The uniformity of the eighteenth-century novel in today's paperbacks and critical editions no longer conveys the early novel's visual exuberance. Janine Barchas explains how during the genre's formation in the first half of the eighteenth century, the novel's material embodiment as printed book rivalled its narrative content in diversity and creativity. Innovations in layout, ornamentation, and even punctuation found in, for example, the novels of Richardson, an author who printed his own books, help shape a tradition of early visual ingenuity. From the beginning of the novel's emergence in Britain, prose writers including Daniel Defoe, Jonathan Swift, and Henry and Sarah Fielding experimented with the novel's appearance. Lavishly illustrated with more than 100 graphic features found in eighteenth-century editions, this important study aims to recover the visual context in which the eighteenth-century novel was produced and read.
"The book combines an examination of the network of material conditions of authorship and publishing during the century with literary readings in order to explore the mutually constitutive nature of literature, the material forces that influence its production, and the social world of readers."--BOOK JACKET.
High schooler Crispin Haugen already has so many identities to sort through—Asian, Scandinavian, not to mention gay. Then a messenger from another world arrives to tell him he also carries the blood of dragonsin his veins. Transported to the Realm of Fire, where dragons and humans live in harmony, Crispin falls for Davix, a brooding, nerdy scholar. But dark mysteries threaten the peace of Crispin’s new world. Without warning, dragons from the Realm of Air unleash a bloody war. With everything he cares about on the line, Crispin must find the courage to fight...for justice and for love. The writing of this book was supported by the Toronto Arts Council with funding from the City of Toronto.
Casting Quiet Waters is a major collection of reflections on the human condition through the lens of fishing. In this volume of essays by some of North America's most respected literary writers, each author takes us on a fishing trip that provides an opportunity to explore issues of the human condition. The writer and the angler both toss lines, chase shadows, and spend countless hours pondering what might have been. In life, as in fishing, the trophy always gets away. But the writer at least brings home a story. Authors include: David Adams Richards, Wayne Curtis, Tom McGuane, Charles Gaines, David Carpenter, Ian Pearson, Kenneth Kidd, Jake MacDonald, Marni Jackson, Annie Proulx, Charles Wilkins, Ian Frazier.