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A Daughter's Memoir of Burma
Wendy Law-Yone was just fifteen when Burma's military staged a coup and overthrew the civilian government in 1962. The daughter of Ed Law-Yone, the daredevil founder and chief editor ofThe Nation, Burma's leading postwar English-language newspaper, she experienced firsthand the perils and promises of a newly independent Burma. On the eve of Wendy's studies abroad, Ed Law-Yone was arrested and The Nation shut down. Wendy herself was briefly imprisoned. After his release, Ed fled to Thailand with his family, where he formed a government-in-exile and tried, unsuccessfully, to foment a revolution. Exiled to America with his wife and children, Ed never gave up hope that Burma would one day adopt a new democratic government. Though he died disappointed, he left in his daughter's care an illuminating trove of papers documenting the experiences of an eccentric, ambitious, humorous, and determined patriot, vividly recounting the realities of colonial rule, Japanese occupation, postwar reconstruction, and military dictatorship. This memoir tells the twin histories of Law-Yone's kin and his country, a nation whose vicissitudes continue to intrigue the world.
The Road to Wanting
Traces the life of a young woman whose fate is always in the hands of others, be they well meaning Americans or provincial pimps. Full of the glare and shadows of the East, this haunting journey opens up places often hidden to Western eyes, revealing ancient cruelties, as well as the redemptive power in facing and forgiving the truth.
Irrawaddy Tango
"A pepper-tongued, tango-dancing Asian beauty rises from a village girlhood to become the wife of her country's dictator and then a leader of the rebel forces arrayed against him. She is the electric eponymous heroine of a novel that resonates with the fevers and tumults of our era, that opens with a captive lion's roar and moves halfway around the world and through our century - from the turbulent Asian country here called Daya to America and back, from the 1940s to the 1990s." "From our earliest glimpses of the edgy young girl in a busy, gossipy, close-knit river hamlet, we know we are in the presence of a star: energized, funny, dangerously savvy, and on the move from the day when a boy i...
Golden Parasol
âe~Die, and itâe(tm)s the vile earth; live, and itâe(tm)s the golden parasol,âe(tm) went the old Burmese saying. Why not aim for the pinnacle with everything they had? The vile earth would be theirs soon enough. A year after Burmaâe(tm)s military coup in 1962, Ed Law-Yone, daredevil proprietor of the influential newspaper, The Nation, was arrested and his newspaper shut down. Eventually, his teenaged daughter Wendy was also imprisoned before managing to escape the country. Ed spent five years as a political prisoner, but the moment he was freed he set about trying âe" unsuccessfully âe" to stage a revolution, and never gave up hope for the restoration of democracy in Burma. Exiled in ...
The Coffin Tree
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Burmese Painting
This is the first comprehensive history of Burmese painting, from eleventh-century Pagan to the present, including over 175 painters and more than 300 photographs of work. The book explores the historical transformations of the art, with psychological interpretations of major artists, the legends which followed them, and analysis of their oeuvres. It also probes the unusual lateral dimensions of Burmese painting, where 1,000 years of tradition have continued to survive and shape a rich corpus of largely unknown work. Ranard links the traditional roots of Burmese painting in India with later influences from China, Thailand, Britain, Northern Europe, and America. Burma is an isolated country, but its art has been a major wellspring of inspiration in Southeast Asia. Today, the country struggles to reconcile complex pressures, and Ranard digs deeply to uncover layers of conflict reflected in Burmese painting.
The Coffin Tree
A Burmese woman's estrangement from her homeland brings her to the brink of insanity and back again. The Coffin Tree is the duel story of one woman's exile and consequent immigration to America, and America's rejection and consequent acceptance of her.
Our House in the Last World
A first-generation Cuban son comes of age in the debut––and most autobiographical––novel by the Pulitzer Prize-winning author of The Mambo Kings Play Songs of Love. Winner of the Ingram Merrill Foundation Award and the Rome Prize Hector Santinio is the younger son of Alejo and Mercedes, who moved to New York from Cuba in the mid-1940s. The family of four shares their modest apartment with extended relatives in Harlem, where homesickness and nostalgia are dispelled by nights of dancing and raucous parties. But life’s realities are nevertheless harsh in the Santinio family’s adoptive land. When Mercedes takes Hector and his brother to visit Cuba, to better know her culture, Hector ...
I Will Never See the World Again
Longlisted for the 2019 Baillie Gifford Prize for Non-Fiction The destiny I put down in my novel has become mine. I am now under arrest like the hero I created years ago. I await the decision that will determine my future, just as he awaited his. I am unaware of my destiny, which has perhaps already been decided, just as he was unaware of his. I suffer the pathetic torment of profound helplessness, just as he did. Like a cursed oracle, I foresaw my future years ago not knowing that it was my own. Confined in a cell four metres long, imprisoned on absurd, Kafkaesque charges, novelist Ahmet Altan is one of many writers persecuted by Recep Tayyip Erdogan's oppressive regime. In this extraordinary memoir, written from his prison cell, Altan reflects upon his sentence, on a life whittled down to a courtyard covered by bars, and on the hope and solace a writer's mind can provide, even in the darkest places.
