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The Court Cities of Northern Italy
The Court Cities of Northern Italy examines painting, sculpture, decorative arts, and architecture produced within the fourteenth, fifteenth, and sixteenth centuries.
The Fortunes of Apuleius and the Golden Ass
This book traces the transmission and reception of one of the most influential novels in Western literature. The Golden Ass, the only ancient Roman novel to survive in its entirety, tells of a young man changed into an ass by magic and his bawdy adventures and narrow escapes before the goddess Isis changes him back again. Its centerpiece is the famous story of Cupid and Psyche. Julia Gaisser follows Apuleius' racy tale from antiquity through the sixteenth century, tracing its journey from roll to codex in fourth-century Rome, into the medieval library of Monte Cassino, into the hands of Italian humanists, into print, and, finally, over the Alps and into translation in Spanish, French, German...
Emblemata Hispanica
Emblem books--books containing pictorial representations whose symbolic meaning is expressed in words--were produced in great quantities and in numerous languages during the sixteenth and seventeenth centuries. Because literary critics and art historians increasingly recognize the importance of the emblem in Renaissance and Baroque studies, this book answers the need for a bibliography listing the locations of all known emblem books in Spanish, as well as those translated into Spanish, written by Spaniards in other languages, and polyglot editions that contain a Spanish text. Covered in this bibliography are all emblem books published from the beginning to the end of the Spanish Golden Age, ...
Collected Works of Erasmus
This is the first of five volumes to appear in the section of the CWE devoted to Erasmus' spiritualia, works of spirituality that include such aspects of religion as piety, theology, and the practice of ministry. The volume begins with an introductory essay that provides the first comprehensive review of the content, sources, and style of Erasmus' many works dealing with piety.
The Grand Design of God
This book, originally published in 1972, offers a stimulating account of the Christian tradition of historiography as it is reflected in works of literature and history. The discussion ranges from the pre-Christian The Iliad up to the 1970s. The author considers subjects such as the Mystery Plays in the medieval synthesis, the nature of the evidence provided by the Renaissance authors in England and the Continent, the contemporary world. The book examines the attitudes of historians and at the use historians have made of the Christian view of history.
Secularisation and the Leiden Circle
This book shows how a group of early-seventeenth-century writers excluded theologically grounded argument from a wide range of disciplines, from the natural sciences to international relations. Somos uses richly contextualised portraits of Scaliger, Heinsius, Cunaeus and Grotius to develop a new model of secularisation as a contingent, cumulative, and incomplete process, with some unintended consequences. Facing severe conflict, the Leiden Circle realised that rival claims that staked their truth-content and validity on religious belief were ultimately irreconcilable. Gradually they removed such claims from acceptable discourse, contributing to the comprehensive secularisation that defines modernity. If blindness to religious claims has become definitive of modern politics, Somos concludes, recollecting its historical complexity and contingency is essential for overcoming some of its failures.
Knights at Court
"The first comprehensive history of courtliness and chivalry in their literary and cultural contexts."--Robert Grudin, University of Oregon "The first comprehensive history of courtliness and chivalry in their literary and cultural contexts."--Robert Grudin, University of Oregon
Humanities
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The Unaccommodated Calvin
This book attempts to understand Calvin in his 16th-century context, with attention to continuities and discontinuities between his thought and that of his predecessors, contemporaries, and successors. Muller pays particular attention to the interplay between theological and philosophical themes common to Calvin and the medieval doctors, and to developments in rhetoric and method associated with humanism.
