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Founded by Winy Maas, The Why Factory concentrates on the production of models and visualizations for future cities. It runs independent research projects, PhD programs, architecture and urbanism studios, postgraduate studios at the Berlage Institute in Rotterdam, and workshops and debates. One component of the thinktank is publishing a series of books and producing films. This volume is based on Maas' inaugural address upon assuming the position of Chair of Architecture and Urban Design at Delft University of Technology in 2009. It also includes transcripts and addresses from "My Future City," a Why Factory symposium, in which students, architects, urban planners, philosophers, politicians and engineers shared their visions for the city of the future.
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The 'Why factory' throws down the gauntlet to the city of Hong Kong. What role will Hong Kong be fulfilling in the future? Which specialism should the city focus on in the trial of strength with other cities, such as Shenzhen, Shanghai and Singapore? What objectives need to be set? What are the ingredients that would be appropriate? Can Hong Kong deploy its relatively high quality to develop itself further? And if so, then how? "Hong Kong fantasies" plots out alternative paths, new visions and strategies for Hong Kong's urban and architectonic future. Sustainability and globalization play a leading role in specific spatial interventions that underpin progressive developements in the future.
The polarizing literary debut by Scottish author Ian Banks, The Wasp Factory is the bizarre, imaginative, disturbing, and darkly comic look into the mind of a child psychopath. Meet Frank Cauldhame. Just sixteen, and unconventional to say the least: Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim. That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again. It was just a stage I was going through.
Welcome to Porous City! Welcome to a porous society! Welcome to cities that want to be open and porous! Our cities consist of buildings that are introverted and not mixed with urban life. They are closed. How to open them? How can we introduce pockets for encounters, for streams of circulation, for green areas, for tunnels of cooling ... What logics can be imagined in our towers to allow for this openness? Using stepped floors? Creating grottos? Splitting towers? Twisting blocks? Every hypothesis leads to a series of interventions. How far can we go before the tower collapses, before it is unaffordable? Together, these series form an army of towers that contributes to a more porous city. Why wait?
From the award-winning author of Weasels in the Attic, a modern fable about the world of work Beyond the town, there is the factory. Beyond the factory, there is nothing. Within the sprawling industrial complex, three new employees are each assigned a department. There, each must focuses on a specific task: one shreds paper, one proofreads documents, and another studies the moss growing all over the expansive grounds. As they grow accustomed to the routine and co-workers, their lives become governed by their work--days take on a strange logic and momentum, and little by little, the margins of reality seem to be dissolving: Where does the factory end and the rest of the world begin? What's going on with the strange animals here? And after a while--it could be weeks or years--the three workers struggle to answer the most basic question: What am I doing here? With hints of Kafka and Beckett and unexpected moments of creeping humour, The Factory is a vivid, and sometimes surreal, portrait of the absurdity and meaninglessness of the modern workplace.
The Manifesta, which takes place every two years in a different European city, has a reputation for being a place for creativity and innovation, and for good reason. Primarily responsible for this is festival's opening program, which was tested in 2018 in Palermo and is now being continued in Marseille in 2020. Winy Maas's architectural office, MVRDV, and The Why Factory (t?f) were commissioned to explore the city's urban space through the means of artistic research and the latest method of data analysis. This resulted in a compendium of social, cultural, ethical, religious, and geographical structures. It was, however, meant to do more than just describe the status quo. The exploration also...
From the bestselling author of Developing Products in Half the Time, this book presents a comprehensive approach to managing design-in-process inventory.
"How could nanotechnology change buildings and cities in the future? Imagine a new substance, that could be steered and altered in real time. Imagine creating a nanomaterial that could change its shape, that could shrink and expand---that could do almost anything... We've named this material Barba. With Barba, we would be able to adapt our environment to every desire and every need. The latest book in The Why Factory's Future Cities series envisions how nanomaterial might drastically change cities and architecture in the future. This speculation on fully adaptable environments is illustrated in the best tradition of science fi ction. We follow an inhabitant for a day and see, how everyday routines change in these new, fl exible spaces. This story forms the point of departure for a series of interactive experiments, installations, and proposals towards the development of new, body-based and fully adaptive architectures."--Publisher's description.
From the factory floor to the catwalk, from Shanghai to London, World Factory weaves together the untold stories of people connected by the global textile industry.