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The purpose of this text is to elicit discussion, reflection, and action specific to pedagogy within education, especially higher education, and circles of experiential learning, community organizing, conflict resolution and youth empowerment work. Vulnerability itself is not a new term within education; however the pedagogical imperatives of vulnerability are both undertheorized in educational discourse and underexplored in practice. This work builds on that of Edward Brantmeier in Re-Envisioning Higher Education: Embodied Pathways to Wisdom and Transformation (Lin, Oxford, & Brantmeier, 2013). In his chapter, “Pedagogy of vulnerability: Definitions, assumptions, and application,” he ou...
Still recovering from the case of a serial killer spirit in Lyme-Regis, Dr Ribero’s agency is soon confronted with an even greater threat: a reckless cult conspiring with an ancient and powerful Daemon to open a permanent spirit door so that spirits have unfettered access to the human realm. Having just witnessed the lethal consequences uncontrolled spirits can have on the unsuspecting, the agency joins forces with several others to prevent the cult from unleashing chaos and ending the world’s fragile protection from dangerous spirits.
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A magazine of tales, travels, essays, and poems.
What is it with pirates? From Somali fishermen to DVD hawkers to childrens parties, pirates surround us and their 'Jolly Roger' motif can be found on everything from skateboards to baby-grows. Yet the original pirates were mutineers, rebelling against the brutal and violent oppression of the princes and merchants who enslaved them. How has their fight become ours? In this highly original and ground-breaking book, Kester Brewin fuses history, philosophy and sociology to explore the place of piracy in history and culture, and, calling on Blackbeard, Luke Skywalker, Peter Pan and Odysseus, chases pirates through literature and film into the deepest realms of personal development, art, economics and belief.
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This book draws on the author’s experience as a storyteller, drama practitioner and researcher, to articulate an emerging dialogic approach to storytelling in participatory arts, educational, mental health, youth theatre, and youth work contexts. It argues that oral storytelling offers a rich and much-needed channel for intergenerational dialogue with young people. The book keeps theory firmly tethered to practice. Section 1, ‘Storyknowing’, traces the history of oral storytelling practice with adolescents across diverse contexts, and brings into clear focus the particular nature of the storytelling exchange and narrative knowledge. Section 2, ‘Telling Stories’, introduces readers ...
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