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Liber amicorum Willem Elias
Dit boek gaat gepaard met het afscheid van Willem Elias aan de Vrije Universiteit Brussel. Het laat de lezer binnenkijken in zijn leefwereld door de ogen van zijn vrienden: collega-professoren, alumni, politici, zakenlui en vele anderen met wie hij vaak rijkelijk tafelt en dialogeert. Net zoals een kunstwerk beter te begrijpen is door het te benaderen vanuit verschillende invalshoeken, schetst dit boek een accuraat totaalbeeld van een man van vele facetten. Als professor inspireerde hij zijn studenten, als dwarskijker opende hij de ogen van kunstliefhebbers, als bevlogen spreker vermaakte hij zijn publiek op vernissages, als decaan liet hij een frisse wind waaien met zijn eigen managementstijl, als vrijdenker doorbrak hij talrijke taboes, als minnaar plezierde hij vele vrouwen, als vriend kent hij zijn gelijke niet. Als slechte slaper schreef hij een indrukwekkend oeuvre bijeen. In het Woord Vooraf schetst Willem Elias zelf zijn eigen pedagogisch traject. Er vallen vele lessen uit te leren. Bovenal blijft hij een educator.
Signs of the Time
Signs of the Time is an investigation into contemporary art theory and the philosophy of art from 1945 till postmodernism. The author treats important precursors such as Freud and Marx, and contemporary theorists and philosophers such as Gombrich, Lacan, Heidegger, Sartre, Althusser, Marcuse, Gadamer, Derrida, Eco, Barthes, Foucault, Baudrillard, and Lyotard. Various texts are discussed, criticized and related to movements in contemporary art and to contemporary artists. The author addresses students in the field of art history, communica-tions, aesthetics, art education, art history, communications, aesthetics, as well as the art lover. Art as a sign of the time reveals the hidden dimensions of the world in which we live.
Art/Commerce
This book offers a compelling perspective on the striking similarity of art and commerce in contemporary culture. Combining the history and theory of art with theories of contemporary culture and marketing, Maria A. Slowinska chooses three angles (space, object/experience, persona) to bridge present and past, aesthetic appearance and theoretical discourse, and traditional divisions between art and commerce. Beyond both pessimistic and celebratory rhetorics, »Art/Commerce« illuminates contemporary phenomena in which the aestheticization of commerce and the commercialization of aesthetics converge.
Hadriaan Beverland's De Peccato Originali (On Original Sin1679)
In his De peccato originali (1679), Hadriaan Beverland (1650-1716) presented his thesis that sex was the original sin and a vital part of human nature. Building on contemporary insights into the history of the text of the Bible, he criticised the hypocritical attitudes among the religious and social elite of his day concerning the biblical text and sexual morality. The work became notorious in the seventeenth century and led to its author’s banishment. In the eighteenth century, it exerted considerable influence on the way in which many in Europe came to see sexuality. This annotated edition with English translation also includes a comprehensive introduction that includes a contextualization of the De peccato originali and its impact.
Disguised and Overt Spinozism Around 1700
This volume consists of 25 papers delivered at an international Spinoza conference held at the Erasmus University (Rotterdam) in October 1994 on the impact of Spinoza on the European Republic of Letters around 1700.
The Photographic Paradigm
This issue investigates the meaning of photographic image for contemporary art. In Malraux' dream, photography offers the ultimate guarantee for a coherent presentation of art. However, as Douglas Crimp has stated, the appearance and enhancement of photography as a form of art among other art forms disrupted the center of the art world. What does this mean for art and philosophy in our time? Various artists and theorists will delve into that question: Christian Boltanski, Benjamin H.D. Buchloh, Jean-François Chevrier, Douglas Crimp, Jos de Mul, Mirjam de Zeeuw, Rineke Dijkstra, Michael Gibbs, Rodney Graham, Gerald van der Kaap, Karen Knorr, Zoe Leonard, Ken Lum, Hermann Pitz, Liza-May Post, John Roberts, Allan Sekula, Andres Serrano, Jan Simons, Beat Streuli, John M. Swinnen, Renée van de Vall, Hilde van Gelder, Hripsimé Visser, Jeff Wall, Ian Wallace and Herta Wolf.
The Intellectual Conscience of Art
At the core of this issue is the question of the concept of art. Could the task of art be transfered to philosophy, as Arthur Danto maintains? Or is there still a moral assignment for art inherent to Modernism? Various artists and theorists will respond to these questions in this issue. Among them are: J.C. Ammann, Victor Burqin, Don Cameron, Arthur Danto, Catherine David, Chris Dercon, Marlene Dumas, Jan Hoet, Joseph Kosuth, Donald Kuspit, Pieter Laurens Mol, Maarten van Nierop, A.B. Oliva, Frank Reynders and Haim Steinbach.
