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Een potretschilder krijgt de opdracht een potret te maken van de dode adoptiezoon van een zakenman.
Polemische lezing over de halfslachtige houding van kritische ongelovigen tegenover het wonder.
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FOUR FRIENDS. FIVE LETTERS. ONE SECRET . . . The gripping novel from the author of THE EX-GIRLFRIEND 'Amazing. Had me hooked from the first page' 5***** Reader Review Joni, Trina, Deb and Eden have been best friends since school, but growing up has meant drifting apart. So when they're reunited on holiday, they each write an anonymous letter sharing everything that is really going on in their lives. And that's when the confessions begin . . . Anger. Accusations. Desires. Deceit. Then Joni finds a fifth letter. One containing a secret its writer tried to destroy . . . Did she ever really know her friends at all? __________ 'A colourful tangle of intrigue and neuroses' 5***** Reader Review 'A fast, gripping page-turner with constant guessing' 5***** Reader Review 'Intrigue, hatred and accusations - phew, it kept me guessing to the end' Sun 'A truly magnificent read from start to finish' 5***** Reader Review 'Entertaining and easy to read' Sunday Mirror 'A darkly humorous story about friendship' Best
‘It wasn’t uncommon in my childhood for roti to be off the menu, because the rolling pin was broken again.’ Ernest van der Kwast’s childhood is peopled by an array of colourful characters: from his strait-laced Dutch father, to Bollywood star Uncle Sharma, and talented heptathlete Aunt Jasleen. But it is his overbearing yet loving Indian mother who is at the centre of this big-hearted, hilarious family saga. Veena van der Kwast is a woman with an iron will, hilarious directness, and a talent for haggling. Armed with her trusty rolling pin, every man she meets is eventually beaten to submission — especially her husband and three sons. Intriguing, surprising, and moving in equal measure, this novel inspired by a very unusual family will make you smile from beginning to end.
»Mission in crisis« – this diagnosis makes immediate sense in view of the rapid decline of European Christian churches. However, there is a great deal of controversy as to what exactly this crisis consists of, what its actual causes are and what dynamics the crisis discourse itself exhibits. The contributions in this volume were held on an international conference that took place from November 25–27, 2022 at the University of Zurich. They pursue these questions from a mission-theological perspective and seek to open up new perspectives for the future of the church in both secular and plural societies. With contributions from: Heike Breitenstein, John G. Flett, Ralph Kunz, Sabrina Müll...
The notion of evil is not undisputed in contemporary philosophy and theology. The reasons for this vary from aversion to the use of a vague, comprehensive term like evil to hesitation at the suggestion of an uncontrollable, non-human power of force that seems to cling to the idea of evil. On the other hand, in popular discourse speaking of evil prevails - one almost keeps stumbling over allusions to it. However, such language often seems to be incidental and not a natural part of a whole way of thinking. Thus the present situation demands a regauging of the notion of evil. Reconsidering Evil attempts this regauging by comparing the nature and status of the theme of evil in four different app...
Na een lange stilte voelen christenen zich vanaf de negentiende eeuw, met name de laatste decennia, geroepen om zich weer te verdedigen tegen aanvallen op hun religie. Dat heeft enerzijds te maken met de opkomst van diverse wetenschappelijke bevindingen, anderzijds met een interne crisis, zoals recente uitkomsten van diverse rapporten laten zien. Terwijl traditionele apologeten kritiek op het christendom door ‘tegenspraak’ probeerden te weerleggen, kan men ook een literaire lijn vaststellen, waarin het religieuze individu zich veeleer op een poëtische wijze ‘uitspreekt’. In deze literaire apologie zoekt men niet zozeer de dialoog, maar presenteert men een autonome stem die zich op een eigenzinnige wijze over het fenomeen ‘religie’ buigt.
Συναγωνίζεσθαι, the ancient Greek verb chosen as the title of this volume, belongs to the jargon of dramaturgy as employed by Aristotle inPoetics, where he emphasizes the function of the Chorus as an active co-protagonist in the dynamics of drama. Here it suggests the collaborative nature of this Festschrift offered to Guido Avezzù in the year of his retirement by friends and colleagues. The volume collects a wide selection of contributions by international scholars, grouped into four sections: Greek Tragedy (Part 1), Greek Comedy (Part 2), Reception (Part 3), and Theatre and Beyond (Part 4). The Authors. A. Andrisano, P. Angeli Bernardini, A. Bagordo, A. Bierl, S. Bigliazzi, ...