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Major Corrections
Sebastiano Timpanaro (1923-2000) was one of the most original leftist thinkers of the 20th century. His thought spans a unique range of subjects, from materialism to classical philology, from the Enlightenment to Freud, from science to socialism, from the history of linguistics to 19th century Italian literature. Timpanaro confronted this manifold material with addictive clarity and incisive honesty. This book is the first serious attempt in any language to introduce Timpanaro's thought in its entirety. Drawing on original archival research, Geue shows the astonishing breadth of Timpanaro's intellect and his eccentric dual profile as a Marxist and technical philologist. From this emerges not only a compelling portrait of a neglected radical thinker, but also a rallying call for the Left to revive its commitment to scientific truth and rigorous detail.
A Feast of Strange Opinions: Classical and Early Modern Paradoxes on the English Renaissance Stage 1.2
This volume originates as a continuation of the previous volume in the CEMP series (1.1) and aims at furthering scholarly interest in the nature and function of theatrical paradox in early modern plays, considering how classical paradoxical culture was received in Renaissance England. The book is articulated into three sections: the first, “Paradoxical Culture and Drama”, is devoted to an investigation of classical definitions of paradox and the dramatic uses of paradox in ancient Greek drama; the second, “Paradoxes in/of Elizabethan and Jacobean Drama” looks at the functions and uses of paradox in the play-texts of Shakespeare and his contemporaries; finally, the essays in “Paradoxes in Drama and the Digital” examine how the Digital Humanities can enrich our knowledge of paradoxes in classical and early modern drama.
The Reception of Jonathan Swift in Europe
Jonathan Swift has had a profound impact on almost all the national literatures of Continental Europe. The celebrated author of acknowledged masterpieces like A Tale of a Tub (1704), Gulliver's Travels (1726), and A Modest Proposal (1729), the Dean of St Patrick's, Dublin, was courted by innumerable translators, adaptors, and retellers, admired and challenged by shoals of critics, and creatively imitated by both novelists and playwrights, not only in Central Europe (Germany and Switzerland) but also in its northern (Denmark and Sweden) and southern (Italy, Spain, and Portugal) outposts, as well as its eastern (Poland and Russia, Hungary, Romania, and Bulgaria) and Western parts - from the beginning of the eighteenth century to the present day.
Oedipus at Colonus and King Lear: Classical and Early Modern Intersections
The story of King Lear seems to fill in the blank space separating the end of Oedipus Tyrannus and the beginning of Oedipus at Colonus. In both Oedipus at Colonus and the latter part of King Lear we are presented with an old man who was once a King and, following his expulsion from his kingdom on account of a crime or of an error, is turned into a ‘no-thing’. This happens in the time of the division of the kingdom, which is also the time of the genesis of intraspecific conflict and, consequently, of the end of the dynasty. This collection of essays offers a range of perspectives on the many common concerns of these two plays, from the relation between fathers and sons/daughters to madness and wisdom, from sinning and suffering to ‘being’ and ‘non-being’ in human and divine time. It also offers an overarching critical frame that interrogates questions of ‘source’ and ‘reception’, probing into the possible exchangeability of perspectives in a game of mirrors that challenges ideas of origin.
A Feast of Strange Opinions: Classical and Early Modern Paradoxes on the English Renaissance Stage 1.1
This volume aims at providing a comprehensive view of the performative as well as heuristic potentialities of the theatrical paradox in early modern plays. We are interested in discussing the functions and uses of paradoxes in early modern English drama by investigating how classical paradoxes were received and mediated in the Renaissance and by considering authors’ and playing companies’ purposes in choosing to explore the questions broached by such paradoxes. The book is articulated into three sections: the first, “Paradoxes of the Real”, is devoted to a theoretical investigation of the dramatic uses of paradoxes; the second, “Staging Mock Encomia” looks at the multiple dramatic functions of mock encomia and at the specific situations in which paradoxical praises were inserted in early modern plays; finally, the essays in “Paradoxical Dialogues” examine the connections between a number of early modern mock encomia and ancient or contemporary models.
“Ecclesiae et Rei Publicae”: Greek Drama and the Education of the Ruling Class in Elizabethan England
In sixteenth-century England only two Greek plays in Greek were published: Euripides’ Troades (1575) and Aristophanes’ Equites (1593). This book raises questions on the scarceness of editions of Greek dramas and their late appearance in the English Renaissance, compared to continental editorial practices. It also seeks to reconstruct the intellectual and political context in which these two dramas were published. To this end, it examines the paratexts, especially the prefatory letters addressed either to patrons or to the readers, contained in contemporary Greek grammars and catechisms. Troades and Equites were probably published for educational purposes and their lack of paratexts invit...
Shakespeare’s Drama in Poetry
This volume presents for the first time in English a selection of seminal studies, originally published in Italian, on the dramatic potential of Shakespeare’s Sonnets, providing a crucial contribution to a recently revived debate on their inherent dramatic dimension. These studies long antedate the recent attention internationally dedicated to the formal and semiotic functions of the communicative structure of the sonnets, providing the basis for a new perception of their peculiar capacity to perform speech acts within dramatically defined situations. The first, longest, section, is dedicated to a discussion of the so-called ‘Sonnets of Immortality’ where the poet struggles with Time o...
Antiquity and Enlightenment Culture
This volume represents the first move towards a comprehensive overview of the place of antiquity in Enlightenment Europe. Eschewing a narrow focus on any one theme, it seeks to understand eighteenth-century engagements with antiquity on their own terms, focusing on the contexts, questions, and agendas that led people to turn to the ancient past. The contributors show that a profound interest in antiquity permeated all spheres of intellectual and creative endeavour, from antiquarianism to political discourse, travel writing to portraiture, theology to education. They offer new perspectives on familiar figures, such as Rousseau and Hume, as well as insights into hitherto obscure antiquarians and scholars. What emerges is a richer, more textured understanding of the substantial eighteenth-century engagement with antiquity.
Cicero in Basel
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Bastards and Believers
A formidable collection of studies on religious conversion and converts in Jewish history Theodor Dunkelgrün and Pawel Maciejko observe that the term "conversion" is profoundly polysemous. It can refer to Jews who turn to religions other than Judaism and non-Jews who tie their fates to that of Jewish people. It can be used to talk about Christians becoming Muslim (or vice versa), Christians "born again," or premodern efforts to Christianize (or Islamize) indigenous populations of Asia, Africa, and the Americas. It can even describe how modern, secular people discover spiritual creeds and join religious communities. Viewing Jewish history from the perspective of conversion across a broad chr...
