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The Other Dickens
Catherine Hogarth, who came from a cultured Scots family, married Charles Dickens in 1836, the same year he began serializing his first novel. Together they traveled widely, entertained frequently, and raised ten children. In 1858, the celebrated writer pressured Catherine to leave their home, unjustly alleging that she was mentally disordered—unfit and unloved as wife and mother. Constructing a plotline nearly as powerful as his stories of Scrooge and Little Nell, Dickens created the image of his wife as a depressed and uninteresting figure, using two of her three sisters against her, by measuring her presumed weaknesses against their strengths. This self-serving fiction is still widely a...
The Morals of Measurement
The Morals of Measurement is a contribution to the social histories of quantification and electrical technology in nineteenth-century Britain, Germany and France. It shows how the advent of commercial electrical lighting stimulated the industrialization of electrical measurement from a skilled labour-intensive activity to a mechanized practice. Challenging traditional accounts that focus on the metrological standards used in measurement, this book shows the central importance of trust when measurement was undertaken in an increasingly complex division of labour. Alongside ambiguities about the very nature of measurement and the respective responsibilities of humans and technologies in generating error-free numbers, the book also addresses controversies over the changing identity of the measurer through the themes of body, gender and authorship. The reader will gain fresh insights into a period when measurement was widely treated as the definitive means of gaining knowledge of the world.
New Writings of William Hazlitt
This book contains 205 writings attributed to the Romantic essayist William Hazlitt but not included in the standard scholarly edition of his works (published 1930-4). It includes essays on the poetry of Wordsworth and Coleridge, a defence of Byron and Shelley against charges of immorality, and reviews of some of the greatest actors of the time.
William Crookes (1832–1919) and the Commercialization of Science
William Crookes' long life was one of unbroken scientific and business activity, culminating in his appointment as President of the Royal Society in 1913. Throughout his career he was an important science journalist, the discoverer of thallium, the inventor of the radiometer, investigator of cathode rays and the vacuum, a spectroscopist of significance in rare earth chemistry, and a spokesman for a chemical solution to the problems with the world's food supplies. He was also, and perhaps most controversially, an occultist who played a significant role in spiritualism in the 1870s, and was involved with D.D. Home (Browning's Mr Sludge) and other notable mediums of the day. Previous literature...
Operatic Migrations
This volume takes an interdisciplinary approach to studying a wide range of subjects associated with the creation, performance and reception of 'opera' in varying social and historical contexts from the eighteenth to the twentieth centuries. Each essay addresses migrations between genres, cultures, literary and musical works, modes of expression, media of presentation and aesthetics. Although the directions the contributions take are diverse, they converge in significant ways, particularly with the rebuttal of the notion of the singular nature of the operatic work. The volume strongly asserts that works are meaningfully transformed by the manifold circumstances of their creation and receptio...
A.F.C. Kollmann's Quarterly Musical Register (1812)
A.F.C. Kollmann (1756-1829) was born in Germany and moved to London in 1782, where he was organist and schoolmaster of His Majesty's German Chapel. He was one of the most profound music theorists of his time, and a pioneer in introducing Bach's music to England. His most extensive effort to inform the public about developments in the whole field of music was The Quarterly Musical Register--the first number of which is dated 1 January 1812. The journal folded after its second number. Only eight copies of the first number and six of the second appear to be extant. This book reproduces in facsimile both numbers, and presents new information about Kollmann's life and works.
