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The Outcasters
Since 1995, I set out as an artist to create characters who were hideous, strange and did not fit within the normal boundaries of a modern society. The Circus Freaks, my 1st creations, are such examples of de-humanizing humans, placing them in a world where they are not accepted by the majority and must push their way uphill to gain power. After 15 years of creating many people, places and things based on the real world, publishing books, including this one, I came to an epiphany. Who you are in relation to someone else depends not on skin color, age, religion, sexual preference, language, biology, country or planet. These short stories contain individual lives of those you are familiar with in one social category or another as opposed to those of your neighbor, family member, significant partner, your enemies, and those unlikely youve never met. In the end, a world, a galaxy of prosperity comes with the efforts of all who are related because they are unrelated and thats exactly what this book is about. --Maestro Drake
Sessional Papers
"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.
The Gift of the Little People
I don’t recall seeing books when I was a little boy. But the old people, they grew up listening to stories. And so, every night, when the old people were done their evening prayers, they would sit and they would tell us stories too. At the time of the spring thaw, the Rocky Cree fill their canoes with furs, eager to trade with the new visitors in mistiwāsahak (Hudson Bay). But not all of the new visitors are welcome. When the canoes return home to the shores of the misinipī river, the Rocky Cree begin to collapse one by one, drenched in sweat and slowly slipping into delirium. Kākakiw struggles to help the sick as more and more people pass into the spirit world. Exhausted physically, em...
Marlene Dumas: Myths & Mortals
Marlene Dumas’s works respond more than ever to the uncertainty and sensuality of the painting process itself. Allowing the structure of the canvases and the materiality of the paint greater freedom to inform the development of her compositions, the artist has likened the creation of these works to the act of falling in love: an unpredictable and open-ended process that is as filled with awkwardness and anxiety as it is with bliss and discovery. Myths & Mortals documents a selection of paintings—debuted in the spring of 2018 at David Zwirner, New York—ranging from monumental nude figures to intimately scaled canvases that present details of bodily parts and facial features. Several nea...
My Life as a Quant
In My Life as a Quant, Emanuel Derman relives his exciting journey as one of the first high-energy particle physicists to migrate to Wall Street. Page by page, Derman details his adventures in this field—analyzing the incompatible personas of traders and quants, and discussing the dissimilar nature of knowledge in physics and finance. Throughout this tale, he also reflects on the appropriate way to apply the refined methods of physics to the hurly-burly world of markets.
