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Approaches to Teaching Baudelaire's Prose Poems
A prolific poet, art critic, essayist, and translator, Charles Baudelaire is best known for his volumes of verse (Les Fleurs du Mal [Flowers of Evil]) and prose poems (Le Spleen de Paris [Paris Spleen]). This volume explores his prose poems, which depict Paris during the Second Empire and offer compelling and fraught representations of urban expansion, social change, and modernity. Part 1, "Materials," surveys the valuable resources available for teaching Baudelaire, including editions and translations of his oeuvre, historical accounts of his life and writing, scholarly works, and online databases. In Part 2, "Approaches," experienced instructors present strategies for teaching critical debates on Baudelaire's prose poems, addressing topics such as translation theory, literary genre, alterity, poetics, narrative theory, and ethics as well as the shifting social, economic, and political terrain of the nineteenth century in France and beyond. The essays offer interdisciplinary connections and outline traditional and fresh approaches for teaching Baudelaire's prose poems in a wide range of classroom contexts.
University Bulletin
None
The Michigan Alumnus
In v.1-8 the final number consists of the Commencement annual.
AAUP Bulletin
Includes reports of the committees on academic freedom.
Bulletin of the American Association of University Professors
Includes reports of the committees on academic freedom, as follows: Vol. I, pt. 1 Annual address of the president and General report of the Committee on academic freedom and academic tenure. December 1915. Vol. II, no. 2, pt. 2. Reports of committees concerning charges of violation of academic freedom at the University of Colorado and at Wesleyan University. April 1916. Vol. II, no. 3, pt. 2. Report of the Committee of inquiry on the case of Professor Scott Nearing of the University of Pennsylvania. May 1916.
Baudelaire Judged by Spanish Critics, 1857-1957
Baudelaire was practically unknown in Spain until the last two decades of the nineteenth century when the first important criticism of his work was published by two famous critics, Juan Valera and Clarín. Valera attacked Les Fleurs du mal on aesthetic grounds, basing his criticism entirely on the "satanic" poems. At the same time, Clarín published a series of articles favorable to Baudelaire. Save for Clarín, Spanish critics in the first two decades of the twentieth century based their opinions of Baudelaire solely on Les Fleurs du mal. A notable exception was an article written around 1910 by Emilia Pardo Bazan based on the full scope of Baudelaire's work. Since the 1920s Spanish critics have come to share the high esteem which Baudelaire continues to receive throughout the world.
Baudelaire in China
Baudelaire's work entered China in the twentieth century amidst political and social upheavals accompanied by a "literary revolution" that called for classical models and modes of expression to be replaced by vernacular language and contemporary content. Chinese writers welcomed their meeting with the West and openly embraced Western literature as providing models in developing their "new" literature. Baudelaire's reception in China provides a representative study of this "meeting of East and west." His work, which has been declared to stand between tradition and modernity, also lies at the intersection between classical and modern literature in China. Many of the best known and most highly ...
Degré second
Studies in French literature from the Renaissance to the present.
