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William Grant Still
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These Things I Know
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Patriarch and Patriot
Biography of William Grant Broughton 1788-1853. Includes recurring references to mission work among Aboriginal people, and relations between Aboriginal people and colonists.
William Grant Still
Presenting the life and professional career of The Dean of Afro-American Composers, this is the first comprehensive book on the writings by and about Still, the compositions with manuscript sources, the performances of Still's works, and the reviews of those performances. It includes a touching personal reminiscence by his daughter Judith Anne. The full resources of the extensive collection known as The William Grant Still and Verna Arvey Papers at the University of Arkansas Libraries, Fayetteville, give this book the distinction of being the first one about Still that utilizes diaries, letters, scrapbooks, and family papers to provide information on his works and performances. Still perform...
William Grant Still
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Report
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The Zodiac Killer Cover-Up
The true identity of the psychotic ZODIAC killer has been known by the Mandamus Seven (group of retired law enforcement officers, federal agents, a minister, and a District Attorney) since March 15, 1971. This true story is now being told for the very first time. Official corruption and political intervention forced the investigation into a top secret, covert status, giving the insane ZODIAC killer immunity and a license to kill. His motive -- adultery! Mind and body ravaged by years of severe alcoholism, his blood-lusting revenge turned him into the most shocking and vicious killer in our 20th century. Through his tauntings of the police, his codes, ciphers, and letters, he was on a mission...
The New Negroes and Their Music
Spencer's discussion encompasses the music and writings of a wide range of important figures, including James Weldon Johnson, Harry T. Burleigh, Roland Hayes, Marian Anderson, Alain Locke, William Grant Still, R. Nathaniel Dett, and Dorothy Maynor. He argues that the singular accomplishment of the Harlem Renaissance composers and musicians was to achieve a "two-tiered mastery" promoted by Johnson, Locke, the Harmon award, and Crisis and Opportunity magazines.
William Grant Still
In this compact introduction to the life and work of eminent African American composer William Grant Still (1895-1978), Catherine Parsons Smith tracks the composer's interrelated careers in popular and concert music. Still merged both musical traditions in his work, studying composition with George W. Chadwick at the New England Conservatory, collaborating with Langston Hughes on "Troubled Island," and working as a commercial arranger and composer on Broadway and radio during the Harlem Renaissance. Still also played in the pit band for "Shuffle Along," served as recording director for the first black-owned record label, Black Swan, and arranged music for artists such as Sophie Tucker, Paul Whiteman, and Artie Shaw. Best known for his "Afro-American Symphony" and other works that drew heavily on black American musical heritage, Still struggled against financial hardship and declining attention to his work, which he attributed to political and racist conspiracies. This "dean of Afro-American composers" created his own, unique version of musical modernism, influencing commercial music, symphonic music, and opera in the process."
