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An examination of the great photographer's role in and impact on the American avant-garde from 1900 to 1917 details the achievements of and the interrelationships among Stieglitz's photographer and painter associates
Traces the life and career of the enigmatic American artist, discusses his unusual painting technique, and looks at his literary and artistic influences.
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"Every man for himself and God against all" became the mantra of Homer V. Innes after the Great Recession killed his job. Aggrieved by his loss of status as a college-educated, white-collar man, he is about to learn what loss really looks like. Successive catastrophes rob him of nearly everything and plunge him into a spiral of despair and homelessness. So begins his epic journey through the gritty underbelly of Southern California as he searches for his missing son and tries to rebuild his life. His long, strange trip takes him across a Los Angeles that is both familiar and foreign, tragic and comic: In the course of his misadventures, he encounters a diverse and eccentric cast of urban characters, from the homeless on Skid Row, to runaways, drag queens, porn stars, and hookers, all of whom contribute to his ultimate epiphany as he seeks a place in the world and a new meaning for his life.
This book not only unveils new facts about Eakins's life; more important, it makes sense, for the first time, of the enigmas of his work."--BOOK JACKET.
Breaking Bounds: Whitman and American Cultural Studies reinvigorates the study of Whitman and American culture by presenting essays that demonstrate Whitman's centrality to the widest range of social, political, literary, sexual, and cultural discourses of his time and ours. The volume assembles a distinguished group of cultural critics working in the fields of literature, American studies, Latin American studies, European studies, art history, and gay/lesbian/queer studies. Together they open new vistas in the ways we see Whitman and provide a model for the newest and brightest intellectual efforts associated with cultural studies. Central to the volume is breaking the bounds of decorum that have too long separated Whitman's sexuality from his politics, and his poetry from both. The Whitman that emerges from these collected essays is renewed for a new generation of readers seeking to define the places and the functions of his poetic words in the world. Breaking Bounds points to the interdisciplinary future of American literary and cultural studies and is essential reading for anyone interested in Whitman both inside and outside the academy.
It was while she was ill and in bed for several weeks that Marianne found the pencil. It looked quite ordinary, but it wasn't. The things she drew with it - a house, a landscape, the face watching at the window - came alive in her dreams. Sometimes what she drew was good and friendly; sometimes bad and frightening. Once, without quite meaning to, she put herself and the boy in her dreams into a very real danger, from which the only possible escape needed more courage than Marianne thought she could possibly find ... The story has been adapted for the major feature film Paperhouse starring Charlotte Burke as Anna (Marianne), Elliot Spears and Ben Cross.
"[What is Money? and The Credit Theory of Money is] the best pair of articles on the nature of money written in the twentieth century." -L. Randall Wray, professor of Economics, Bard College (2004) What is Money? (1913) is one of two important articles written by British economist Alfred Mitchell-Innes about money and credit. This publication includes a positive review by John Maynard Keynes. Together with Mitchell-Innes' other article, The Credit Theory of Money (also available from Cosimo Classics), it influenced Modern Monetary Theory, which states that governments can print as much money as they need without having to borrow or tax to finance spending. What is Money? is essential reading for students of monetary theories and economic history.