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The author examines China's political, economic and social structures which have resulted in a culture that has stifled creative thinking - He argues that China has been both held together and held back by its extreme deference to history - Boxer movement - Cultural Revolution - Great Leap Forward.
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The protagonist of The Chess Master, Wang Yisheng, undergoes a gradual transformation from "chess fool" to "chess master"--from an alienated young man obsessed with the material needs of life to a spiritually enlightened transmitter of the Chinese tradition. A Cheng has created in The Chess Master a radically new fiction that is both thoroughly modern and deeply imbued with the Chinese tradition.
In 1984 the authors travelled around China interviewing people to form a composite picture of the modern descendents of the Peking Man -- hence the original Chinese title of the collection, Peking Man (Beijingren). The interviews which were always intended to form a book, started to appear in 1984 as a regular column in the New York Chinese-language newspaper China daily news. At the beginning of 1985 the first 58 pieces were republished simultaneously in 5 different literary magazines in China. A round hundred of the pieces appeared in book form in China in August 1986.
Drawing on the cognitive translatological paradigm, this book introduces a situation-embedded cognitive construction model of translation and explores the thinking portfolios of British and American sinologists-cum-translators to re-examine their multiple voices and cognition in translating Chinese fiction. By placing sinologists-cum-translators in the same discourse space, the study transcends the limitations of previous case studies and offers a comprehensive cognitive panorama of how Chinese novels are rendered. The author explores the challenges and difficulties of translating Chinese fiction from the insider perspectives of British and American sinologists, and cross-validates their mul...
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