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Drawing on the latest research, this brilliantly argued, elegantly written book examines belief, myth and society in the Neolithic period, arguably the most significant turning point in human history, when the society we know was born. Linking consciousness, imagery and belief systems the authors create a bridge to the thought-lives of the past.
Olga Tufnell (1905–85) was a British archaeologist working in Egypt, Cyprus and Palestine in the 1920s and 1930s, a period often described as a golden age of archaeological discovery. For the first time, this book presents Olga’s account of her experiences in her own words. Based largely on letters home, the text is accompanied by dozens of photographs that shed light on personal experiences of travel and dig life at this extraordinary time. Introductory material by John D.M. Green and Ros Henry provides the social, historical, biographical and archaeological context for the overall narrative. The letters offer new insights into the social and professional networks and history of archaeo...
Archaeologists in Print is a history of popular publishing in archaeology in the nineteenth and twentieth centuries, a pivotal period of expansion and development in both archaeology and publishing. It examines how British archaeologists produced books and popular periodical articles for a non-scholarly audience, and explores the rise in archaeologists’ public visibility. Notably, it analyses women’s experiences in archaeology alongside better known male contemporaries as shown in their books and archives. In the background of this narrative is the history of Britain’s imperial expansion and contraction, and the evolution of modern tourism in the Eastern Mediterranean and Middle East. ...
Many consider Lewis Binford to be the single most influential figure in archaeology in the last half-century. His contributions to the "New Archaeology" changed the course of the field as he argued for the development of a scientifically rigorous framework to guide the excavation and interpretation of the archaeological record. In this book, first published nearly two decades ago, Binford provided students and general readers with an introduction to his challenging and provocative ideas about understanding the human past. Now available again, this important component of Binford's intellectual legacy will convey the drama and intellectual excitement of contemporary archaeology to a new generation of archaeologists and others interested in the field. Throughout the book, Binford questions old ideas and proposes new theories based on his comparative archaeological and ethnographic research in North America, Europe, South Africa, and Australia. A new afterword by Binford surveys the direction archaeology has taken since the publication of this book and shares his hopes for the future of the discipline.
J. David Lewis-Williams is world renowned for his work on the rock art of Southern Africa. In this volume, Lewis-Williams describes the key steps in his evolving journey to understand these images painted on stone. He describes the development of technical methods of interpreting rock paintings of the 1970s, shows how a growing understanding of San mythology, cosmology, and ethnography helped decode the complex paintings, and traces the development of neuropsychological models for understanding the relationship between belief systems and rock art. The author then applies his theories to the famous rock paintings of prehistoric Western Europe in an attempt to develop a comprehensive theory of rock art. For students of rock art, archaeology, ethnography, comparative religion, and art history, Lewis-Williams' book will be a provocative read and an important reference.
The art created in the caves of western Europe in the Ice Age provokes awe and wonder. What do these symbols on the walls of Lascaux and Altamira, tell us about the nature of ancestral minds? How did these images spring into the human story? This book, a masterful piece of detective work, puts forward the most plausible explanation yet.
San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery. Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.
Division of Empire follows the lives of Constantine the Great's three sons--Constantine II, Constantius II, and Constans--beginning with the death of their father in 337 AD and tracing how they first shared the empire as a triarchy, until Constantine II was killed by Constans in the civil war of 340, and then Constans was murdered by a usurper in 350. William Lewis uses their story as a case study for how division works, as a process rather than a singular event.
William G. Dever is recognized as the doyen of North American archaeologist-historians who work in the field of the ancient Levant. He is best known as the director of excavations at the site of Gezer but has worked at numerous other sites, and his many students have led dozens of other expeditions. He has been editor of the Bulletin of the American Schools of Oriental Research, was for many years professor in the influential archaeology program at the University of Arizona, and now in retirement continues actively to write and publish. In this volume, 46 of his colleagues and students contribute essays in his honor, reflecting the broad scope of his interests, particularly in terms of the historical implications of archaeology.
Many consider Lewis Binford to be the single most influential figure in archaeology in the last half-century. His contributions to the "New Archaeology" changed the course of the field, as he argued for the development of a scientifically rigorous framework to guide the excavation and interpretation of the archaeological record. This book, the culmination of Binford's intellectual legacy thus far, presents a detailed description of his methodology and its significance for understanding hunter-gatherer cultures on a global basis. This landmark publication will be an important step in understanding the great process of cultural evolution and will change the way archaeology proceeds as a scient...