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Fiction and Society in the Age of Pushkin
Todd describes the ideology of the educated westernized gentry, then charts the possibilities for literary life: first patronage, the salons, popular literature; then rapid emergence of an incipient literary profession. He explores the interactions of literature and society as writers "discovered" their own milieu and were discovered by it.
The Familiar Letter as a Literary Genre in the Age of Pushkin
This text examines the tradition of familiar letter writing that developed in the early 1800s among the Arzamasians, a literary circle that included such luminaries as Pushkin, Karamzin and Turgenev, and argues that these letters constitute a distinct literary genre. Todd gives a thorough prehistory of the convention of correspondence and concentrates on the themes, strategies, and autobiographical functions of the letter for several master writers in Pushkin's time. It is written in an accessible style with translations, an annotated list of the Arzamasians, and an extensive index and a bibliography.
Literature and Society in Imperial Russia, 1800-1914
Ranging in topic from general discussions of literary theory to close readings of well known literary works, these nine papers address nearly every literary movement in nineteenth- and early-twentieth-century Russia, and a number of major writers, including Pushkin, Gogol, Turgenev, and Dostoevsky. Four kinds of issues are addressed: theoretical problems in the relationship of literature and society, the reading public, the rhetoric and ideologies of writers and critics, and the relationship between fictional and social worlds. In confronting some of the ways in which the social and literary aspects of Russian culture have imposed themselves upon each other, this volume seeks an approach to Russian literature that neglects neither the dynamics of social interaction nor the forms and traditions of literature. The contributors are Robert L. Belknap, Jeffrey Brooks, Edward J. Brown, Donald Fanger, Jean Franco, Robert Louis Jackson, Hugh McLean, Victor Ripp, and William Mills Todd III.
Literary Journals in Imperial Russia
Given the restrictions on political action and even political discussion in Russia, Russian literary journals have served as the principal means by which Russia discovered, defined and shaped itself. Every issue of importance for literate Russians - social, economic, literary - made its appearance in one way or another on the pages of these journals, and virtually every major Russian novel of the nineteenth century was first published there in serial form. Literary Journals in Imperial Russia - a collection of essays by leading scholars, originally published in 1998 - was the first work to examine the extraordinary history of these journals in imperial Russia. The major social forces and issues that shaped literary journals during the period are analysed, detailed accounts are provided of individual journals and journalists, and descriptions are offered of the factors that contributed to their success.
The Death of Tolstoy
In the middle of the night of October 28, 1910, Leo Tolstoy, the most famous man in Russia, vanished. A secular saint revered for his literary genius, pacificism, and dedication to the earth and the poor, Tolstoy had left his home in secret to embark on a final journey. His disappearance immediately became a national sensation. Two days later he was located at a monastery, but was soon gone again. When he turned up next at Astapovo, a small, remote railway station, all of Russia was following the story. As he lay dying of pneumonia, he became the hero of a national narrative of immense significance. In The Death of Tolstoy, William Nickell describes a Russia engaged in a war of words over ho...
Field Work
What is culture? What are cultures? Are literary texts and cultural texts different? What do literature and other fields engaged in cultural work hav in common? What can literary studies profitably do with other disciplines? What can cultural studies tell us about culture? This volume of work, fresh from the dig, presents a timely account of current thinking on central issues within and beyond the humanities today. Field Work brings together such leading figures as Sacvan Bercovitch and Helen Vendler, Anthony Appiah and Barbara Johnson, Seyla Benhabib and Norman Bryson, Martha Minow and Henry Louis Gates, Jr., Marjorie Garber and Susan Suleiman, as well as scholars in areas as diverse as leg...
The Cambridge Companion to Dostoevskii
Key dimensions of Dostoevskii's writing and life are explored in this collection of specially commissioned essays. Contributors examines topics such as Dostoevskii's relation to folk literature, money, religion, the family and science. The essays are well supported by supplementary material including a chronology of the period and detailed guides to further reading. Altogether the volume provides an invaluable resource for scholars and students.
Russian Literature
For most English-speaking readers, Russian literature consists of a small number of individual writers - nineteenth-century masters such as Dostoevsky, Tolstoy and Turgenev - or a few well-known works - Chekhov's plays, Brodsky's poems, and perhaps Master and Margarita and Doctor Zhivago from the twentieth century. The medieval period, as well as the brilliant tradition of Russian lyric poetry from the eighteenth century to the present, are almost completely terra incognita, as are the complex prose experiments of Nikolai Gogol, Nikolai Leskov, Andrei Belyi, and Andrei Platonov. Furthermore, those writers who have made an impact are generally known outside of the contexts in which they wrote...
A History of Russian Literary Theory and Criticism
This edited volume assembles the work of leading international scholars in a comprehensive history of Russian literary theory and criticism from 1917 to the post-Soviet age. By examining the dynamics of literary criticism and theory in three arenas—political, intellectual, and institutional—the authors capture the progression and structure of Russian literary criticism and its changing function and discourse. The chapters follow early movements such as formalism, the Bakhtin Circle, Proletklut, futurism, the fellow-travelers, and the Russian Association of Proletarian Writers. By the cultural revolution of 1928, literary criticism became a mechanism of Soviet policies, synchronous with o...
