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The Problem of the Fetish
"The Problem of the Fetish gathers William Pietz's innovative writing on the fetish object and the history of the "fetish" as a concept. Engaging extensively with historical documents, Pietz traces the genealogy of fetishism from encounters between European colonizers and African communities in the sixteenth and seventeenth centuries to the emerging social sciences. Discussing the role of fetishism in anthropology, political economy, psychiatry, and law, he analyzes the relationship between the fetish and value, violence, sacrifice, and debt. To accompany Pietz's seven essays, this long-awaited volume includes a foreword by Francesco Pellizzi, editor of RES, the journal in which several of the essays originally appeared, and it also includes an introduction by Stefanos Geroulanos and Ben Kafka, who provide an invaluable guide to Pietz's thought. This book will speak to Pietz's multidisciplinary readership, continuing his legacy of engaging with questions of material culture, object agency, merchant capitalism, and spiritual power, and introducing the work of a powerful theorist to new generations of scholars and thinkers"--
Possibilities
An anthropologist investigates the revolution of everyday life.
Religion and Popular Culture in America
PRAISE FOR THE FIRST EDITION: “A solid introduction to the dialogue between the disciplines of cultural studies and religion…. A substantive foundation for subsequent exploration.”—Religious Studies Review “A splendid collection of lively essays by fourteen scholars dealing with religion and popular culture on the contemporary American scene.”—Choice
Victorian Fetishism
Victorian Fetishism argues that fetishism was central to the development of cultural theory in the nineteenth century. From 1850 to 1900, when theories of social evolution reached their peak, European intellectuals identified all "primitive" cultures with "Primitive Fetishism," a psychological form of self-projection in which people believe everything in the external world—thunderstorms, trees, stones—is alive. Placing themselves at the opposite extreme of cultural evolution, the Victorians defined culture not by describing what culture was but by describing what it was not, and what it was not was fetishism. In analyses of major works by Matthew Arnold, George Eliot, and Edward B. Tylor, Peter Melville Logan demonstrates the paradoxical role of fetishism in Victorian cultural theory, namely, how Victorian writers projected their own assumptions about fetishism onto the realm of historical fact, thereby "fetishizing" fetishism. The book concludes by examining how fetishism became a sexual perversion as well as its place within current cultural theory.
Corpse Encounters
This book sustains a critical glance at the ways in which we attend to the corpse, tracing a trajectory from encounter toward considering options for disposal: veneered mortuary internment, green burial and its attendant rot, cremation and alkaline hydrolysis, donation and display, and ecological burial. Through tracing the possible futures of the dead that haunt the living, through both the stories that we tell and physical manifestations following the end of life, we expose the workings of aesthetics that shape corpses, as well as the ways in which corpses spill over, resisting aestheticization. This book creates a space for ritualized practices surrounding death: corpse disposal; corpse a...
Spirited Politics
The essays in Spirited Politics throw light on predicaments that spring from the intersection of religion, ethnicity, and nationalism in contemporary Southeast Asian public life. Covering material from Indonesia, Malaysia, Thailand, and the Philippines, the contributors explore the calamities and ironies of Southeast Asian identity politics, examining the ways in which religion and politics are made to serve each other.
Old Worlds
This book aligns ancient and early modern European travel narratives and historical surveys of Egypt, Mesopotamia, India, and Russia with texts that contributed to English ideas about those regions: Shakespeare's Antony and Cleopatra and Love's Labour's Lost, Milton's Paradise Lost and Muscovia, and Dryden's Aureng-Zebe.
The Art of Art History
What is art history? Why, how, and where did it originate, and how have its methods changed over time? The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists, and anthropologists among others have changed our notions of what art history has been, is, and might be. This anthology is a guide to understanding art history through critical reading of the field’s most innovative and influential texts, focusing on the past two centuries. Each section focuses on a key issue: art as...
