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White Boots
A compendium of poems about the Western United States by the esteemed poet William Pitt Root
Strange Angels
In this first major collection in nearly a decade from a revered American poet, William Pitt Root concerns himself with those extremes—spiritual, physical, or both—at which social and cultural forms disintegrate, leaving the individual as an unshielded witness to transitioning miracles that induce a state of awe that cannot be diminished, diverted, or ignored. In poem after poem, Root compels the reader to discover that these key moments require the heart to open and the mind to still in order to fully accept whatever results, whether it is to suffer inconsolably or to discover new facets of wisdom. With an imagery that is by turns beautiful, tender, provocative, and terrifying, this collection signals the triumphant return of a poet of national renown.
The Storm and Other Poems
A reissuing of The Storm and Other Poems by William Pitt Root.
Clouds Pile Up in the North
Maj Ragain has been on faculty, off and on, at Kent State University since 1969, where he obtained his PhD in 1990. He is the author of seven chapbooks of poetry and five book-length collections, all of which contribute to Clouds Pile Up in the North: New & Selected Poems.
Back to Earth
Back to Earth is the powerful, personal journey of a man in his middle years who senses that he has drifted away from the ideals of his youth and who must now search for coherence, belief, and a renewed spirituality following the breakup of his marriage and family. Living alone in a cabin in the woods, Temple searches his past and tells tales of experiences backpacking in Colorado, Dakota, New Mexico and Alaska. His reflections focus on the spiritual and redemptive qualities of nature, the American character, and the dilemmas of the split between matter and spirit, body and soul, God and creation. As an "earnest pilgrim with a short attention span", Temple's story chronicles his journey from an intimacy with the earth to an alienation from it, and the need of all humans to find a redemptive reunion. The book is a kind of pilgrimage as the author tries to get back home, to find God, to learn what our species once knew, and to rediscover the heart and soul of creation.
I Feel a Little Jumpy Around You
An award-winning anthology of paired poems by men and women. In this insightful anthology, the editors grouped almost 200 poems into pairs to demonstrate the different ways in which male and female poets see the same topics. How women see men, how boys see girls, and how we all see the world—often in very different ways, but surprisingly, wonderfully, sometimes very much the same.
Sublime Blue
Neruda once suggested that his words be poured, like wine, "into the glasses of other languages." Here is just such a communion. Noted American poet William Pitt Root brings us poems from the first of Neruda's three collections of odes, Odas elementales (1954). In his introduction, Root praises Neruda's form, with its phrases that "fall like thin wrists of water cascading from great heights, exploding at intervals against ledges and obstacles protruding from a sheer cliff-face. Fluent, sinuous, riddled with delightful surprise, the offhand form is also suited to the tone of seemingly casual surmise that can so suddenly pool in a conclusion of great clarity and depth." Here are poems addressed to hope and gloom, to numbers and to the atom, to blue flowers and artichokes. This is Neruda at his finest. Book jacket.
Guernica, Revisited
"Richard Vargas is one of the best Chicano poets writing today, a voice for all as he explores the predicaments of the modern world with tenderness and fury. His is a voice we can rely on as we make our way forward to that place of mystery where, despite everything, survival seems possible as we join in the poet's song." - Demetria Martinez, author of Breathing Between The Lines, The Devil's Workshop, and 2013 American Book Award winner The Block Captain's Daughter
Broken Horizons
In Broken Horizons, Richard Jackson¿s lines are clouds of love, piercing the sky with enormous empathy, rolling in the azure, torrents of passion, and are arrows at the same time, reaching a peak where they break, crying, cleansing the air, becoming ether. It is impossible to describe this in discursive language. With a melody that is unmistakably his own . . . he is a kind of Scorsese in poetry, but where Scorsese almost succeeds in his films, then stops, seals and terrifies us, Jackson adds a tender, vulnerable voice that blossoms and transforms us, and that is so unique and great, great in its truest sense in Richard Jackson¿s poetry. ¿Toma¿ ¿alamun
Play Me a Revolution
Poems by Lindsey Royce
