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This catalog was published in conjunction with the exhibition Richard Jackson: Ain't Painting a Pain, organized and presented by the Orange County Museum of Art, Newport Beach, California, February 15-May 5, 2013.
P: Who is the real terrorist in this room? M: What're you saying? In a claustrophobic concrete cell, two men face each other across a bare table. One is a wanted terrorist, the other a British intelligence officer. But this is no ordinary interrogation, and as they talk deep into the night and violent secrets are revealed, the line between interrogator and confessor begins inextricably to blur. Who, then, is the real terrorist? And will they pay for their guilt in blood?
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In Broken Horizons, Richard Jackson¿s lines are clouds of love, piercing the sky with enormous empathy, rolling in the azure, torrents of passion, and are arrows at the same time, reaching a peak where they break, crying, cleansing the air, becoming ether. It is impossible to describe this in discursive language. With a melody that is unmistakably his own . . . he is a kind of Scorsese in poetry, but where Scorsese almost succeeds in his films, then stops, seals and terrifies us, Jackson adds a tender, vulnerable voice that blossoms and transforms us, and that is so unique and great, great in its truest sense in Richard Jackson¿s poetry. ¿Toma¿ ¿alamun
Writing the war on terrorism' examines the public language of the war on terrorism, and the way that rhetoric has been used to justify the global counter-terrorism offensive as a response to 9/11. It discusses how language has been used to deliberately manipulate public anxiety about terrorist threats to gain support for military action, and how the abuse of Iraqi prisoners has been normalised through rhetoric and practice. . It explains how the war on terrorism has been reproduced and amplified by key social actors and how it has become the dominant political narrative in America today, enjoying widespread bipartisan and popular support. The author argues that the normalisation and institutionalisation of the administration's current counter-terrorism approach is damaging to society's ethical values and to democratic political participation. Lying at the intersection of International Relations, American politics, terrorism studies, discourse analysis, communication studies and cultural studies, this book will have genuine interdisciplinary appeal.
Undaunted by the rainy weather, three children take their happiness outside and seem to chase the clouds away as they jump, skip, and dance together.
A surprising, universal, and gorgeously illustrated story about self-acceptance, love, friendship, and the joy of embracing different perspectives, this beautiful picture book by acclaimed author Richard Jackson and two-time Caldecott Medalist Chris Raschka presents a puddle with a distinct point of view. Puddle sits despondently in the playground, observing the world around her as she is dimpled by rain, splashed by shoes, piddled on by a poodle, bounced by a basketball, and stirred up by an inquisitive seagull. But when the sun makes a sudden appearance, Puddle meets an admiring new friend who lifts her spirits and makes her feel loved. Richard Jackson’s playful text shines with rhythm, repetition, and surprising turns of phrase, and Caldecott Medalist Chris Raschka’s luminous paintings achieve the impossible—oh, sweet Puddle! A memorable story of friendship, love, and changing your point of view.
This volume aims to ‘bring the state back into terrorism studies’ and fill the notable gap that currently exists in our understanding of the ways in which states employ terrorism as a political strategy of internal governance or foreign policy. Within this broader context, the volume has a number of specific aims. First, it aims to make the argument that state terrorism is a valid and analytically useful concept which can do much to illuminate our understanding of state repression and governance, and illustrate the varieties of actors, modalities, aims, forms, and outcomes of this form of contemporary political violence. Secondly, by discussing a rich and diverse set of empirical case st...
When a brother and sister go for a walk, their imaginations turn the ordinary into the extraordinary in this sweet and whimsical picture book. Pup is pulling, Maisie is pushing, and Jonah is looking and listening as the three of them set off on their daily dog walk. But what begins as a chore becomes an unexpected celebration of imagination as their neighborhood transforms. Maisie sees butterfly; Jonah sees a popsicle garden! Maisie sees the postman; Jonah sees a sky slide! And…is that…a tree of cats?! Differences are what brings richness to the everyday in gorgeous homage to the wonders of the world around us—and the worlds we can create—if only we stop to look and listen.