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The Greek Anthology is a collection of poems from classical Greece, compiled over many centuries. This edition, translated by William Roger Paton, includes a wide variety of poems from well-known poets as well as lesser-known writers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Greek Anthology (Gathering of Flowers) is a collection over centuries of some 4500 short Greek poems (called epigrams but seldom epigrammatic) by about 300 composers.
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This is the second, greatly expanded edition of one of the world's most successful books on negotiation. 'Getting to Yes' offers powerful principles to guide readers to success in the art of negotiation.
Selections from speeches and addresses delivered by Rudyard Kipling.
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Brill's Companion to Aphrodite brings together an international and multidisciplinary team of experts in the study of Aphrodite—one of the best known, yet ambiguous and complex Graeco-Roman deities. The contributions, which reevaluate conventional approaches to this remarkable goddess, are thematically grouped in four parts according to aspects of the goddess: 'Aphrodite’s Identity’; ‘Aphrodite's Companions and Relations’; ‘The Spread of Aphrodite’s Cults’ and ‘The Reception of the Goddess.’ Each part draws on literary and visual sources, incorporates Greek, Roman, and later material, and ranges across places and periods—from prehistoric Cyprus and the Near East to the antiquities market in 19th century France. This book therefore crosses interdisciplinary boundaries, as well as the multiple aspects and characteristics of the goddess