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The Last Shaman
The Last Shaman is a captivating ride through the jungles of war-torn Africa. Mark Vale, who represents any of us struggling to take consistent ownership of our personal power, takes an unwanted journey to find the last shaman who is responsible for ending the war and saving thousands of lives. All throughout, Mark learns from a colourful array of characters – including a Doctor of Philosophy exiled in the swamps, a shape-shifting sorceress, and the widow of a tribal scout – who teach him to commit completely to the desires of his soul. We see how that commitment enables him to create in a way that uplifts not only himself, but also the whole world that he is a part of. ‘Like The Alchemist and The Celestine Prophecy, The Last Shaman is poised to take its rightful place among the spiritual classics of our time’. – Doreen Banaszak, author of ‘Excuse Me, Your Life is Now’. Click the play button below the book image, and watch William Whitecloud talk about this book, “The Last Shaman”.
William Everson
In 1991, author and Jungian psychotherapist Steven Herrmann was “called” by the poet-shaman William Everson to collaborate on writing a book. It is from that event that the subtitle of this book emerged, The Shaman’s Call. Its aim is to instill in readers that if one follows one’s calling from the shamanic archetype with the right attitude, it could culminate in true cosmic awareness. And, it would interconnect the psyche with nature, or what C.G. Jung called the “Self.” Such awareness is made clear through the transfiguring power of American poet-shamans, who transmit what they are called by nature to convey: that an experience of the Self is a life-altering experience. The call...
The Shaman's Wolf
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The Shaman Tree
Dallas ex-cop Charlie Gants thinks there is nothing in this world for him to look forward to—except, maybe, more nightmares. He is about to leave the mental hospital where he has spent the past three months recovering—he hopes—from an explosion of murder that involved the deaths of two of his fellow policemen in a devastatingly dirty way. But shortly before his release, he is talked into accepting a fortuitous job offer—traveling to the cattle ranch of a family named McKendrick to try and find why—if there is a why—the family has been cursed with a series of serious and sometimes fatal accidents. The atmosphere is a strange one. It is possible that there is actually an Indian cur...
William Blake and the Moderns
Robert Bertholf and Annette Levitt have assembled thirteen essays that establish Blake as a "central voice molding modern literature and thought." The essays in this volume examine Blake's influence on modern poetry, the modern novel, and modern thought from various critical approaches. This collection maps out the lines of direct literary influences and indirect intellectual affinities that make up the tradition of enacted form. Through the use of various aspects of Blake's form and ideas, this book reasserts the idea of continuity, the drive for wholeness, and the arrival of new poetic forms. Blake is considered one of the major and most modern of Romantics. This collection positions him as a precursor of the modern, using his vision and poetry as a base for discussing a central issue in literary theory today—influence and the literary tradition—just how is the legacy of a literary artist passed on, and how is it resurrected in the works of subsequent generations.
Redneck Shaman
This book is a basic course in developing shamanic awareness. Ideas were developed from over 250 books, and from ideas used mainly by Ulster Scot and Scots-Irish spiritual people in the U.S. The redneck tradition welcomes all, and is generally egalitarian, just as it was in its Celtic costume. Celts, along with Native Americans, are reclaiming their spiritual roots. This book was designed to help people get back to being indigenous, to being rooted in the deeper parts of mind. Ultimately, we are all indigenous, and this book was written in service to all. The creator put fun on this earth to help mark out correction solutions. This book is about having fun, and playing with energy patterns, with the light and information that make up the Universe. This book is very similar to Dowsing and Manifesting, and The Key to the Secret, because the three authors differed on what the final product should look like, so they each went their own way.
William Blake and the Productions of Time
Challenging the idea that a writer’s work reflects his experiences in time and place, Andrew M. Cooper locates the action of William Blake’s major illuminated books in the ahistorical present, an impersonal spirit realm beyond the three-dimensional self. Blake, Cooper shows, was a formalist who exploited eighteenth-century scientific and philosophical research on vision, sense, and mind for spiritual purposes. Through irony, dialogism, two-way syntax, and synesthesia, Blake extended and refined the prophetic method Milton forged in Paradise Lost to bring the performativity of traditional oral song and storytelling into print. Cooper argues that historicist attempts to place Blake’s vision in perspective, as opposed to seeing it for oneself, involve a deeply self-contradictory denial of his performativity as a poet-artist. Rather, Blake’s expansion of linear reading into a space of creative, self-conscious collaboration laid the basis for his lifelong critique of dualism in religion and science, and anticipated the non-Euclidean geometrics of twentieth-century Modernism.
An Encyclopedia of Shamanism Volume 2
Shamanism can be defined as the practice of initiated shamans who are distinguished by their mastery of a range of altered states of consciousness. Shamanism arises from the actions the shaman takes in non-ordinary reality and the results of those actions in ordinary reality. It is not a religion, yet it demands spiritual discipline and personal sacrifice from the mature shaman who seeks the highest stages of mystical development.
William James
The importance of this collection of writings of William James lies in the fact that it has been arranged to provide a systematic introduction to his major philosophical discoveries, and precisely to those doctrines and theories that are of most burning current interest. William James: The Essential Writings is a series of philosophical arguments on some of the most "obscure and head-cracking problems" in contemporary philosophy; the relation of thought to its object; the interrelationships between meaning and truth; the levels and structures of experience; the degrees of reality; the nature of the embodied self; the relation of ethics, aesthetics, and religious experience to man's strenuously and "heroically" active nature; and, above all, the structurization of the experienced life-world as the validating ground and origin of all theory; Bruce Wilshire has provided an introduction to William James's thought on these and other related points which is at once both substantial and subtle.
William Fenton
William N. Fenton?s contributions to the understanding of the cultures and histories of the Iroquois are formidable. Fenton grounded his studies in decades of fieldwork among the Senecas, an encyclopedic knowledge of pertinent historical accounts, a keen appreciation for interpretive theory and practice in ethnohistory and anthropology, and an enduring, generous character. ø William Fenton: Selected Writings brings together for the first time Fenton?s most influential writings on the Iroquois and anthropology, written across nearly six decades. This volume includes Fenton?s classic studies of such key issues as Iroquois folklore, factionalism, and the repatriation of material culture; discussions of theory and practice and the methodology of ?upstreaming?; obituaries of colleagues and reviews of other studies of the Iroquois; and summaries of the early Conferences on Iroquois Research. This collection reveals much about the world of the Iroquois, past and present, as well as the career and accomplishments of Fenton himself.
