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The essays in Where's the Evidence? focus on problems ignored. This book is a unique collection of critical andw controversial essays on intractable ethical issues and evidence-based problems in modern medicine. Most, but notr therapeutic disasters. Although it is impossible to prevent all missteps in medicine, the author argues, a hedging strategy using concurrent controls when new therapies are introduced always reduces the number of patients killed or injured. It is dangerous to use treatments widely, he warns, before they are subject to rigorous comparative trials. Additionally, the author points out, questions have emerged about how to wield medicine's new capabilities wisely. How do we...
Everyone has a story to tell. Fearless Confessions is a guidebook for people who want to take possession of their lives by putting their experiences down on paper—or in a Web site or e-book. Enhanced with illustrative examples from many different writers as well as writing exercises, this guide helps writers navigate a range of issues from craft to ethics to marketing and will be useful to both beginners and more accomplished writers. The rise of interest in memoir recognizes the power of the genre to move and affect not just individual readers but society at large. Sue William Silverman covers traditional writing topics such as metaphor, theme, plot, and voice and also includes chapters o...
Memoir of Sue William Silverman, a self-described "white Anglo-Saxon Jew" who grew up going to a Christian school. Discusses how she grew up a fan of Pat Boone before Boone became a Tea Party member.
Because I Remember Terror, Father, I Remember You destroys our complacency about who among us can commit unspeakable atrocities, who is subjected to them, and who can stop them. From age four to eighteen, Sue William Silverman was repeatedly sexually abused by her father, an influential government official and successful banker. Through her eyes, we see an outwardly normal family built on a foundation of horrifying secrets that long went unreported, undetected, and unconfessed.
'An honest and deeply chilling account of what it's like to suffer from a compulsion to look for love in what are most definitely the wrong places' Elle For Sue Silverman, the wrong places to look for love include: At the end of a phone, when a stranger calls her college dorm late night and asks what she's wearing. On a blue leather couch, with a senator, while an intern on Capital Hill. In the back of a military truck, with a paratrooper, when hitching a ride across a desert on holiday. And still years later, in Room #213 of the Rainbow Motel, where she goes every Thursday lunchtime for routine sex with Rick (unbeknownst to Husband 2) ... In Love Sick, her unflinching memoir of her 28 days of treatment in a clinic for female sex addicts, Sue revisits her past behaviour as she learns to put her demons behind her and discover what love really means.
When Marcia Aldrich’s friend took his own life at the age of forty-six, they had known each other many years. As part of his preparations for death, he gave her many of his possessions, concealing his purposes in doing so, and when he committed his long-contemplated act, he was alone in a bare apartment. In Companion to an Untold Story, Aldrich struggles with her own failure to act on her suspicions about her friend’s intentions. She pieces together the rough outline of his plan to die and the details of its execution. Yet she acknowledges that she cannot provide a complete narrative of why he killed himself. The story remains private to her friend, and out of that difficulty is born ano...
You are The Girl, and The Girl is a Badass. From the opening lines, it’s clear The Girl at the center of these poems is damaged—which is another way to say she’s a survivor. If the Girl Never Learns moves from the personal to the mythic to the apocalyptic, because The Girl would do anything, even go to hell, to save her soul. So, she resists, takes action to overturn society’s suffocating ideal of Good Girldom. The poems’ sense of breathlessness reflects The Girl’s absolute need to control her own destiny, to outrun her past, while at the same time chasing a future she alone has envisioned and embodied. Because The Girl is, above all else, a badass.
This New York Times–bestselling book upends conventional thinking about autism and suggests a broader model for acceptance, understanding, and full participation in society for people who think differently. “Beautifully told, humanizing, important.”—The New York Times Book Review “Breathtaking.”—The Boston Globe “Epic and often shocking.”—Chicago Tribune WINNER OF THE SAMUEL JOHNSON PRIZE FOR NONFICTION AND THE CALIFORNIA BOOK AWARD What is autism? A lifelong disability, or a naturally occurring form of cognitive difference akin to certain forms of genius? In truth, it is all of these things and more—and the future of our society depends on our understanding it. Wired r...
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