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"A comprehensive inquiry into the attitudes and ambitions that characterized the documentary impulse of the thirties. The subject is a large one, for it embraces (among much else) radical journalism, academic sociology, the esthetics of photography, Government relief programs, radio broadcasting, the literature of social work, the rhetoric of political persuasion, and the effect of all these on the traditional arts of literature, painting, theater and dance. The great merit of Mr. Stott's study lies precisely in its wide-ranging view of this complex terrain."—Hilton Kramer, New York Times Book Review "[Scott] might be called the Aristotle of documentary. No one before him has so comprehensively surveyed the achievement of the 1930s, suggesting what should be admired, what condemned, and why; no one else has so persuasively furnished an aesthetic for judging the form."—Times Literary Supplement
Casts a fresh light on the abolitionist William Wilberforce and his friends in the Clapham sect by looking at their private lives as revealed in their family correspondence. Stott explores themes of the family, women and gender, childhood and education, sexuality, and intimacy.
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Explains how to write simply and directly, describes the basics of organization, and briefly reviews grammar and punctuation
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