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Approximation Theory
This concisely written book gives an elementary introduction to a classical area of mathematics—approximation theory—in a way that naturally leads to the modern field of wavelets. The exposition, driven by ideas rather than technical details and proofs, demonstrates the dynamic nature of mathematics and the influence of classical disciplines on many areas of modern mathematics and applications. Key features and topics: * Description of wavelets in words rather than mathematical symbols * Elementary introduction to approximation using polynomials (Weierstrass’ and Taylor’s theorems) * Introduction to infinite series, with emphasis on approximation-theoretic aspects * Introduction to F...
Dada in the Collection of the Museum of Modern Art
"Presents some seventy works-- books, collages, drawings, films, paintings, photographs, photomontages, prints, readymades, reliefs-- in large-scale reproductions and accompanying them with in-depth essays by an interdepartmental group of the Museum's curators."--Front jacket flap.
Beyond Lament
Challenging Theodor Adorno's famous statement that "writing poetry after Auschwitz is barbaric," Beyond Lament is a rich and varied anthology consisting of new and previously published poems about the atrocity of the Holocaust. Marguerite M. Striar has arranged the nearly 300 poems by the likes of Paul Celan, Nelly Sachs, Czeslaw Milosz, Dannie Abse, and Robert Pinsky, as well as many others, to tell the story of the Holocaust.
Memoirs of a Dada Drummer
Huelsenbeck’s memoirs bring to life the concerns—intellectual, artistic, and political—of the individuals involved in the Dada movement and document the controversies within the movement and in response to it.
The Visible Word
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
Neo-Avant-Garde
The neo-avant-garde of the 1950s, 60s and 70s, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blindspots in current neo-avant-garde studies, with thematic issues such as art’s entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the ‘cultural logic’ of the immediate post-World War II period.
Practicing Modernity
Vorwort - I. Sharp: Women and Weimar Berlin - C. Ujma: Theories of Masculinity and the Avant-Garde - T. Elsaesser: The Camera in the Kitchen: Grete Schütte-Lihotsky and Domestic Modernity - A. Baumhoff: Women in the Bauhaus: Gender Issues in Weimar Culture - D. Rowe: Painting herself. Lotte Laserstein between subject and object - U. Seiderer: Between Minor Sculpture and Promethean Creativity. The Position of Käthe Kollwitz in Weimar's Discourse on Art - C. Finnan: Photographers between Challenge and Conformity. Yva's Career and Ruvre - K. Bruns: Thea von Harbou. Writing Skills and Film Aesthetics - J. Trimborn: Leni Riefenstahl's Career before Hitler: Success-stories of an Outsider - C. Sc...
Expressionist Film--new Perspectives
New essays by leading scholars giving a new picture of the variety of German expressionist cinema.
Historical Dictionary of Surrealism
Despite surrealism's celebration of the subconscious and eschewal of reason, the movement was nevertheless concerned with definitions. Andre Breton included a dictionary-style entry for surrealisme in his 1924 Manifeste du surrealisme and later explored juxtapositions of the absurd and the mundane in the 1938 Dictionnaire abrege du surrealisme. To the mountain of literature that seeks to organize the far-reaching intellectual movement, Aspley (honorary fellow, Univ. of Edinburgh) adds this handy volume that organizes the breadth of surrealism into concise entries on artists, writers, artworks, and themes. A chronology highlights events that sparked the surrealist imagination, activities of f...
G
Published in the 1920s by a who's who of avant-garde artists, G helped shape a new phase in modern art. This is the first English translation.
