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Challenging Theodor Adorno's famous statement that "writing poetry after Auschwitz is barbaric," Beyond Lament is a rich and varied anthology consisting of new and previously published poems about the atrocity of the Holocaust. Marguerite M. Striar has arranged the nearly 300 poems by the likes of Paul Celan, Nelly Sachs, Czeslaw Milosz, Dannie Abse, and Robert Pinsky, as well as many others, to tell the story of the Holocaust.
Most contemporary interpretations of the biblical book of Lamentations focus on the figure of the "suffering man" as a role model for submission in the face of God's punishment for sin. Yet such a model offers small consolation to survivors of the Holocaust or other mass atrocities and also ignores chapters 1 and 2 of Lamentations, in which the personification of Zion laments her sufferings and demands a response on behalf of her dying children. In Surviving Lamentations, Tod Linafelt offers an alternative reading of Lamentations in light of the "literature of survival" (works written by survivors of catastrophe) as well as literary and philosophical reflections on "the survival of literature." He refocuses attention on the figure of Zion as a manifestation of a basic need to give voice to suffering, and traces the afterlife of Lamentations in Jewish literature, in which text after text attempts to provide the response to Zion's lament that is lacking in Lamentations itself. Seen through Linafelt's eyes, Lamentations emerges as uncannily relevant to contemporary discourse on survival.
Teaching about the Holocaust is necessarily an act of shaping memory, of forging the consciousness students have. Teaching the Holocaust is written to help teachers help their students to define their understandings of this difficult period in our history.
About the Book Enduring Friendships tells a story of heartfelt gratitude, and a resurgence of the power of life to rise above ordinary and extraordinary circumstance and experience. The writing of introspection, inspection, and retrospection that followed bore the treasures of friendship. It is also a collection of poems of passion, reshaped and re-forged in the fires of disability. It is a celebration; a call to action; a eulogy; an expression of hope, and in the end, a redemption.
Poetry. "CONVERSATIONS DURING SLEEP feels like a logbook of gutsy revelations, transporting us to a territory both ethereal and earthy. We care about the lives that nudge us awake in this dark luminosity, a heartfelt journey we don't want to miss" -Yusef Komunyakaa.
The Encyclopedia of Military Science provides a comprehensive, ready-reference on the organization, traditions, training, purpose, and functions of today’s military. Entries in this four-volume work include coverage of the duties, responsibilities, and authority of military personnel and an understanding of strategies and tactics of the modern military and how they interface with political, social, legal, economic, and technological factors. A large component is devoted to issues of leadership, group dynamics, motivation, problem-solving, and decision making in the military context. Finally, this work also covers recent American military history since the end of the Cold War with a special emphasis on peacekeeping and peacemaking operations, the First Persian Gulf War, the events surrounding 9/11, and the wars in Afghanistan and Iraq and how the military has been changing in relation to these events. Click here to read an article on The Daily Beast by Encyclopedia editor G. Kurt Piehler, "Why Don't We Build Statues For Our War Heroes Anymore?"
Regimes of Twentieth-Century Germany is a concise theory of and empirical study on action consciousness as an integral dimension of historical consciousness with specific emphasis on National Socialist Germany and the German Democratic Republic.
Most early Western perceptions of the Holocaust were based on newsreels filmed during the Allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers, who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule. Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda...
How can genocide be witnessed through imaginative literature? How can the Holocaust affect readers who were not there? Reading the work of major figures such as Elie Wiesel, Paul Celan, Avrom Sutzkever, Ida Fink, Wladyslaw Szlengel, Itzhak Katzenelson, and Czeslaw Milosz, Poesis in Extremis poses fundamental questions about how prose and poetry are written under extreme conditions, either in real time or immediately after the Holocaust. Framed by discussion of literary testimony, with Wiesel's literary memoir Night as an entry point, this innovative study explores the blurred boundary of fact and fiction in Holocaust literature. It asks whether there is a poetics of the Holocaust and what might be the criteria for literary witnessing. Wartime writing in particular tests the limits of “poesis in extremis” when poets faced their own annihilation and wrote in the hope that their words, like a message in a bottle, would somehow reach readers. Through Poesis in Extremis, Daniel Feldman and Efraim Sicher probe the boundaries of Holocaust literature, as well as the limits of representation.
An author and subject index to selected and American Anglo-Jewish journals of general and scholarly interests.