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Horace Walpole
An illuminating biographical study of the eighteenth-century English man of letters and patron of the arts Horace Walpole (1717–1797) was a collector, printer, novelist, arbiter of taste, and renowned writer of letters. In this book, eminent scholar Wilmarth Sheldon Lewis provides an unprecedented look at the life and work of one of England’s greatest men of letters. Lewis sheds light on Walpole’s relationships with his family and friends, his politics, his writings and printmaking activities, and his correspondence. Featuring portraits of Walpole, his relatives, and friends; images of Walpole's sketches and manuscripts; pages from books printed at Walpole’s Strawberry Hill Press; and views and plans of Strawberry Hill, the house, its rooms and furnishings, and its grounds, and accompanied by Lewis’s extensive annotations, this book provides an invaluable history of an extraordinary man.
Secreted Desires
None
The Castle of Otranto and The Mysterious Mother
This Broadview edition pairs the first Gothic novel with the first Gothic drama, both by Horace Walpole. Published on Christmas Eve, 1764, on Walpole’s private press at Strawberry Hill, his Gothicized country house, The Castle of Otranto became an instant and immediate classic of the Gothic genre as well as the prototype for Gothic fiction for the next two hundred years. Walpole’s brooding and intense drama, The Mysterious Mother, focuses on the protagonist’s angst over an act of incest with his mother, and includes the appearance of Father Benedict, Gothic literature’s first evil monk. Appendices in this edition include selections from Walpole’s letters, contemporary responses, and writings illustrating the aesthetic and intellectual climate of the period. Also included is Sir Walter Scott’s introduction to the 1811 edition of The Castle of Otranto.
A Life of J.C. Beaglehole
"But this scholarly achievement was in many ways matched by the part he played in the intellectual and cultural life of New Zealand in his time. A prolific writer and critic he became committed to making New Zealand a more lively and civilised place to live, and through his work at Victoria University, his teaching, his involvement with the New Zealand Council for Civil Liberties and the New Zealand Historic Places Trust - among many such organisations - his influence was far reaching." "Drawing on J.C. Beaglehole's own writing, especially his sparkling unpublished letters, the author has woven together all the aspects of his father's life into an immensely readable narrative. The two chapters on Beaglehole's work on James Cook create a picture of the historical scholar at work, and give the book an international significance."--BOOK JACKET.
Information Hunters
The country of the mind must also attack -- Librarians and collectors go to war -- The wild scramble for documents -- Acquisitions on a Grand Scale -- Fugitive Records of War -- Book Burning-American Style -- Not a Library, but a Large Depot of Loot.
Interpreting the Self
In this ambitious study, Diane Bjorklund explores the historical nature of self-narrative. Examining over 100 American autobiographers published in the last two centuries, she discusses not only well-known autobiographies such as Mark Twain and Andrew Carnegie but also many obscure ones such as a traveling book peddler, a minstrel, a hotel proprietress, an itinerant preacher, a West Point cadet, and a hoopskirt wire manufacturer. Bjorklund draws on the colorful stories of these autobiographers to show how their historical epoch shapes their understandings of self. "A refreshingly welcome approach to this intriguing topic. . . . [Bjorklund's] extensive and systematic approach to her source material is impressive and enriches our understanding of this essential subject."—Virginia Quarterly Review "Bjorklund studies both famous and obscure writers, and her clear prose style and copious quotations provide insight into the many aspects of the changing American self." —Library Journal
Oliver Goldsmith
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to reaad the material themselves.
A Bibliography of Thomas Gray, 1917-1951
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
The Ladies Complete Letter-Writer (1763)
How did people learn to write letters in the eighteenth century? Among other books, letter-writing manuals provided a possible solution. Although more than 160 editions can be traced for the eighteenth century, most manuals were largely intended for men. As a consequence, when The Ladies Complete Letter-Writer was released in London in 1763, it was the first manual to be exclusively destined for women in eighteenth-century Britain. Even though it was published anonymously, several elements tend to show that it must have been edited by Edward Kimber. It was reprinted in Dublin in 1763 and in London in 1765 and largely circulated. The reasons for its success may have come from its concern in e...
The Answer to the Lyre
In 1753 Robert Dodsley published Designs by Mr. R. Bentley, for Six Poems by Mr. T. Gray. Sponsored by Horace Walpole, this luxurious quarto was the first major aesthetic expression of the Strawberry Hill circle and a landmark in English book illustration. Kenneth Clarke called it "the most graceful monument to Gothic Rococo." Its witty interplay between illustration and text anticipated Blake, who studied it some thirty years later. Among its poems is Gray's famous Elegy Written in a Courtly Church-Yard. Loftus Jestin offers a facsimile of Designs (out of print since 1786) and a full-length interdisciplinary study of the collaboration of Bentley, Gray, and Walpole that produced this extraordinary book. He shows the way poems and illustration at once complement, compete with and invigorate each other, and he examines Strawberry Hill. Walpole's house at Twickenham, where Bentley's genius flourished. He also considers the interplay of the sister arts in the work of Hogarth, Kent, and Pine, and surveys the tastes, friendships, economics, and politics that helped shape the development of Bentley's book illustrations.
