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Includes proceedings of the annual general meetings of the Wiltshire Archaeological and Natural History Society.
First published in 1991, and out of print for many years, The Vale of Pewsey has become the classic account of the history, buildings and people of the essence of Wiltshire, its geographical centre and emotional heart. John Chandler has been writing about regional history for forty years, and presents an affectionate but solidly informative account of this relatively unexplored but quietly beautiful area of his adopted county. Extending from Devizes and the Lavingtons in the west to Burbage and Savernake in the east, and dominated north and south by the chalk escarpments of the Marlborough Downs and Salisbury Plain, the Vale boasts landscapes and villages of tranquil charm and great historical interest, brought vividly to life in this account. Now thoroughly revised and presented with new colour photography throughout, John's book will persuade a new generation of readers to share his enthusiasm for a very special part of the Wiltshire countryside.
A detailed catalogue of the collection of antiquities held by the Wiltshire Archaeological and Natural History Society. With its rich collection of artifacts and detailed descriptions, Catalogue of Antiquities is an invaluable resource for anyone interested in the history and archaeology of Britain. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Snail Down is an Early Bronze Age barrow cemetery on Salisbury Plain, located eight miles north-east of Stonehenge. Thirty-three mounds include examples of almost every type of Wessex barrow: bowl, bell, disc, saucer and pond type have all been excaveted there between 1953-7. The preferred burial rite at the site was cremation and disposal in burial pits. The land surrounding the cemetery is covered with the remains of ancient enclosures, ditches and other signs of habitation, suggesting that this area was in use for the last two millennia BC. This publication presents detailed analysis of an extraordinary variety of finds, backed up with illustrative material.
Chalkland is the summation of more than four decades of first-hand involvement in the discovery and interpretation of the archaeology of Wessex, and of the Stonehenge region in particular. Far more than a reinterpretation of the sequence of events and construction phases which occurred at Stonehenge, this thorough, far-reaching and up-to-date narrative presents a new account of the Wessex chalklands.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Presenting the best and most imaginative creative responses by artists to the British prehistoric landscape over the last 250 years. This is the first significant publication to range over the entire field - from Stonehenge and the Merry Maidens to the White Horse and the Long Man of Wilmingon - by the likes of Turner, Constable, Blake, Nash, Ravi