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This volume approaches an understanding of the term versioning in the broadest sense, discussing ideas about how versions differ across forms of media, including text, image, and sound. Versions of cultural objects are identified, defined, articulated, and analysed through diverse mechanisms in different fields of research. The study of versions allows for the investigation of the creative processes behind the conception of works, a closer inspection of their socio-political contexts, and promotes investigation of their provenance and circulation. Chapters in this volume include discussion of what a "version" means in different fields, case studies implementing digital versioning techniques, conceptual models for representing versions digitally, and computational and management issues for digital projects.
A fresh collection of fan-favorite webcomics have made their way to print for the very first time, along with brand-new, never-before-seen strips. But this is no mere collection of comic strips! Cyanide & Happiness: Twenty Years Wasted (A Questionable Recollection Of The First Two Decades) also features the mostly-true history of Cyanide & Happiness as told by its creators – Kris Wilson, Rob DenBleyker, and Dave McElfatrick. Reverently assembled with firsthand commentary, never-before-seen internal documents, insights into their creative process, and, yes, even incriminating photographs. Kris, Rob, and Dave will walk down memory lane, stopping at twenty different Cyanide & Happiness strips that tell the story of their history thus far.
Set against a backdrop of financial intrigue, "Subprime" provides the reader with a behind-the-scenes glimpse into the highly charged and unscrupulous world of mortgage lending. Not only must the protagonist navigate his way through the serpentine and sometimes ruthless world of big business, but he must do so amidst treachery and betrayal from a seemingly benign uncle who, consumed with making money, seeks power in much the same way an addict craves drugs.
From the New York Times bestselling author of The Cartel, The Force, and The Border A New York Times, Entertainment Weekly, and Chicago Sun-Times Favorite Book of the Year “A revelation…This is Butch Cassidy and the Sundance Kid on autoload.” —Stephen King, Entertainment Weekly “Startling…Stylish…Mega-cool.” —Janet Maslin, The New York Times Ben, Chon, and O are twentysomething best friends living the dream in Southern California. Together they have made a small fortune producing premium grade marijuana, a product so potent that the Mexican Baja Cartel demands a cut. When Ben and Chon refuse to back down, the cartel kidnaps O, igniting a dizzying array of high-octane negotiations and stunning plot twists as they risk everything to free her. The result is a provocative, sexy, and darkly engrossing thrill ride, an ultracontemporary love story that will leave you breathless.
This collection brings together major scholars to introduce, analyze and theorize the rich variety of entangled documents produced in the playhouse before, during and after performance. As it provides new material and new ways of thinking about that material, it informs and complicates ideas about play-construction, performance, revision and reception, redefining the relationship between play, text and performance.
As a mysterious affliction spreads, a sleepy small town descends into madness in this “strikingly original” thriller and Daphne du Maurier Award nominee (Douglas Preston, #1 New York Times–bestselling author of Extinction). Everything seems normal in Winslow, Washington, as the tourists arrive for summer fun—the carnival in Prospect Park, the ghost-town tour—and the locals retreat to Ruby Creek to cool off. The only thing that’s unusual is the death of Pard Holloway’s cattle after a brief, strange illness. But now the disease seems to be spreading to humans. One by one, individuals deteriorate into lunacy. Seventeen-year-old Hazel Winslow, however, is perfectly healthy. That le...
This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisci...
WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.
From the New York Times bestselling author, here is the first novel in the explosive Power of the Dog series—an action-filled look at the drug trade that takes you deep inside a world riddled with corruption, betrayal, and bloody revenge. Book One of the Power of the Dog Series Set about ten years prior to The Cartel, this gritty novel introduces a brilliant cast of characters. Art Keller is an obsessive DEA agent. The Barrera brothers are heirs to a drug empire. Nora Hayden is a jaded teenager who becomes a high-class hooker. Father Parada is a powerful and incorruptible Catholic priest. Callan is an Irish kid from Hell’s kitchen who grows up to be a merciless hit man. And they are all trapped in the world of the Mexican drug Federación. From the streets of New York City to Mexico City and Tijuana to the jungles of Central America, this is the war on drugs like you’ve never seen it.