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Batavia-Jakarta, 1600-2000
This is an odd book. An extensive and sometimes annotated bibliography, it is not a book in the sense of a narrative. However, if treated as a book in the traditional sense it leads the reader through a broad spectrum of feelings of amazement, curiosity and desire: amazement about the sheer volume, richness and detail of theliterature on Batavia/Jakarta; curiosity about the contents of certain publications or series of publications with attractive titles; and a feeling of desire immediately to begin an investigation into one of the appealing subjects stumbled upon while leafing through. The bibliography contains over 5000 titles classified into 42 broad subject categories. The vast majority of the publications consists of books, but the number of articles is also very substantial. Most of these titles (3500) were produced after 1950. The larger part of the publications are written in Indonesian, Dutch, and to a lesser extent English. But also publications in such languages as French, Chinese, German, Japanese, Russian, and many others were listed. Indexes of authors, of subjects and of titles make this bibliography easily accessible.
Naẓar:Vision, Belief, and Perception in Islamic Cultures
Naẓar: Vision, Belief, and Perception in Islamic Cultures offers multiple perspectives on how the Islamic visual culture and aesthetic sensibility have been enabled and shaped by common conceptual tools, consistent socio-spatial practices, and unifying beliefs and moral parameters.
Picturing Islam
Picturing Islam: Art and Ethics in a Muslim Lifeworld explores issues of religion, nationalism, ethnicity, and globalization through the life and work of the prominent contemporary Indonesian artist Abdul Djalil Pirous. Presents a unique addition to the anthropology of art and religion Demonstrates the impact of Islam, ethnicity, nationalism, and globalization on the work and life of an internationally recognized postcolonial artist Weaves together visual and narrative materials to tell an engrossing story of a cosmopolitan Muslim artist Looks at contemporary Islamic art and the way it has been produced in the world's largest Muslim nation, Indonesia
Dialek Visual - Perbincangan Seni Rupa Bali dan yang Lainnya
Seni, termasuk seni rupa, bagi masyarakat Bali adalah pernyataan kolektif yang diikat oleh keyakinan bersama, kebenaran bersama, dan nilai-nilai yang juga dijunjung bersama Mudah dimengerti mengapa, misalnya seni lukis Gaya Kamasan, Gaya Pita Maha Ubud, Gaya Young Artist, Gaya Batuan, dan Gaya Nagasepaha masing-masing memiliki dialeknya sendiri Sebagaimana makna dialek yang berarti sebagai variasi bahasa yang berbeda-beda menurut pemakainya maka seni rupa sebagai media pernyataan tertentu di Bali memiliki sejumlah variasi dialek Selain dialek rupa regional yang lebih mengacu pada batasan geokultural, juga memiliki dialek rupa sosial yang lahir karena pembentukan atas persinggungan dengan kekuasaan tertentu Buku ini menyodorkan perbincangan seni rupa Bali dengan berbagai wacana dan persoalannya, antara lain ihwal tradisi dan keluasannya, perempuan dan masalahnya, tokoh dan pemikirannya, dan lain-lain.
Wayang & Its Doubles
Much has been said about how Javanese puppet theatre, Wayang Kulit, richly reflects the Javanese world, and how changes and tensions in performance practice mirror those in culture and society. 0For decades, television has been as intensely part of the Javanese world as Wayang. This book explores the ways two complex media and modes of being, seeing and fantasising, with their different cultures, coexist and meet, and haunt or invade each other. It is what what a Javanese commentator calls a 'difficult marriage' - intimate on the one hand, deeply alienating on the other, institutionalised yet at the same time mercurial and shifting.0This encounter is explored on many levels including perform...
Phenomenology of a Puppet Theatre
No previous work on wayang has treated in depth what is the focus of this book: the power of the theatrical medium, the actuality of the performance as a physical, emotional, and social experience and event, and the sensations and feelings involved in performing and watching an all-night wayang performance. A single puppeteer moves puppets, delicately carved and painted according to a complex iconography, in dance-like patterns integrated with continuous music, which he also directs; he speaks the voices of all characters; and he represents beings and a mythological world that reflect (on) the human world, including the specific occasion and the people present. Paying attention to the wholen...
Puppet Theater in Contemporary Indonesia
Solid and accessible scholarship about a multifaceted form of art.
