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Embodying Pragmatism is the first monograph in English devoted to Richard Shusterman, an internationally renowned philosopher and one of today's most innovative thinkers in pragmatism and aesthetics. The book presents a comprehensive account of Shusterman's principal philosophical ideas concerning pragmatism, aesthetics, and literary theory (including such themes as interpretation, aesthetic experience, popular art, and human embodiment - culminating in his proposal of a new discipline called «somaesthetics»). As Shusterman's philosophical writings involve a dialogue with both analytic and continental traditions, this monograph not only offers a critical vision of contemporary pragmatist thought but also situates Shusterman and pragmatism within the current state of theory.
This collection brings together the philosophy of Gilles Deleuze and the rich tradition of American pragmatist thought, taking seriously the commitment to pluralism at the heart of both. Contributors explore in novel ways Deleuze’s explicit references to pragmatism, and examine the philosophical significance of a number of points at which Deleuze’s philosophy converges with, or diverges from, the work of leading pragmatists. The papers of the first part of the volume take as their focus Deleuze’s philosophical relationship to classical pragmatism and the work of Peirce, James and Dewey. Particular areas of focus include theories of signs, metaphysics, perspectivism, experience, the tra...
While moral philosophy has traditionally been understood as an examination of the good life, this book argues that ethical inquiry should, rather, begin from an examination of evil and other 'negative' moral concepts, such as guilt and suffering.
Richard Rorty is considered one of the most original philosophers of the last decades, and he has generated warm enthusiasm on the part of many intellectuals and students, within and outside the field of philosophy. The collection opens with an essay by Robert Brandom, in which he continues the discussion of Rorty’s “vocabulary vocabulary” that he began in Rorty and his Critics, and ends with an interview in which Brandom talks about Rorty himself as a teacher and friend. The collection is then divided into three further sections, each addressing an aspect of Rorty’s thought. First, a political section contains several essays discussing Rorty’s notorious “prophecy” in Achieving...
The set of philosophical papers.
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Around the time this book is being written the world is faced with threats of terrorism, random shootings in various public places on a global scale, increased school violence especially in the United States, increased racial, ethnic, and religious tension worldwide as well as global forced displacement of people due to violence and human rights violations. Given this context, this project turns attention to the problematic of the “uprootedness of the modern man” in our age of technological advancement, globalization, and distraction. It introduces an innovative perspective to the study of communication ethics and the larger field of communication studies through an aesthetic ecology framework. The concept of aesthetic ecology refers to an environment that involves material, conceptual, and contemplative elements that are part of the ongoing dialogue between our sensuous and interpretive engagements in/with the world. Each chapter of this book explores an aspect of this aesthetic ecology in facilitating existential rootedness in connection to communication ethics.
The authors of these papers vary in age, nationality and professional background. They share a belief that all too often older people are not treated justly or fairly, and also a belief that this is particularly true with regard to a proper respect for their dignity as people and a proper allocation of medical and social resources. Their papers, in various ways, give evidence as to what is happening and arguments, based on philosophical ethics, as to why it is wrong. The authors also have a range of proposals, backed by argument and evidence, and drawing on factual material as well as philosophical argument, as to what could be done to improve the situation. This is a book for anyone, whether themselves elderly, looking after an older person, professionally involved in working with older people, or simply realising that one day they will be old, who wants to learn about what is wrong with the present situation and how it might be made better.
This book traces the work of German philosopher Karl Jaspers (1883-1969) from his origins as a young psychiatrist up to his maturity as an existentialist philosopher. The critique of Jaspers’s thought follows his attempts to grant meaning to the human search for self-understanding. It reveals the difficulties and frustrations entailed in this search. The book reveals to the reader Jaspers’s handling of these difficulties through constituting a philosophical relation toward the Being existing beyond the individual: other people, the world, and transcendence. In this book, the author conducts an ongoing dialog with existing research into Jaspers’s work, and proposes her own new reading. ...
This collection of essays explores the crucial connections between aesthetic experience and the interdisciplinary field of somaesthetics, while further advancing inquiry in both. After the editor’s introduction and three articles examining philosophical accounts of embodiment and aesthetic experience in existentialism, phenomenology, hermeneutics, and pragmatism, the book’s nine remaining articles apply somaesthetic theory to the fine arts (including detailed studies of the body’s role in painting, sculpture, architecture, poetry, music, photography, and cinema) but also to diverse arts of living, considering such topics as cosmetics and sexual practice. These interdisciplinary, multicultural essays are written by a distinctively international group of experts, ranging from Asia (China and India) to Europe (Denmark, Finland, Hungary, and Italy) and the United States.