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Foreign encounters
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The Emblem in Early Modern Europe
The emblem was big business in early-modern Europe, used extensively not only in printed books and broadsheets, but also to decorate pottery, metalware, furniture, glass and windows and numerous other domestic, devotional and political objects. At its most basic level simply a combination of symbolic visual image and texts, an emblem is a hybrid composed of words and picture. However, as this book demonstrates, understanding the precise and often multiple meaning, intention and message emblems conveyed can prove a remarkably slippery process. In this book, Peter Daly draws upon many years’ research to reflect upon the recent upsurge in scholarly interest in, and rediscovery of, emblems fol...
The Scandal of the Scandals
Mahatma Gandhi once chided a Christian friend, "All you Christians, missionaries and all, must begin to live more like Jesus Christ." And what Christian among us would disagree with him? After the holy wars and witch-hunts, after persecutions and political machinations, there is a broad sense today that the Church, however well-meaning, is on the wrong side of history. But do we really know our history? In this collaboration with historian Arnold Angenendt, best-selling German author Manfred Lütz dares to show us what contemporary historians actually say about Christianity's track record over the ages. This detailed overview begins with the ancient pagans, passing through Israel, the early Church martyrs, Constantine's Rome, the reign of Charlemagne, the Crusades, the Inquisition, the Reformation, the Borgia popes, the Galileo affair, the conquistadores, the French Revolution, the slave trade, the Holocaust, the sex abuse crisis, and more. The Scandal of the Scandals separates myth from fact, giving us a candid portrait of Christendom with its scars and all. Prepare to be amazed at how little you really knew about Christianity.
Travel Fact and Travel Fiction
Travel Fact and Travel Fiction contains 18 articles by different authors on important examples of travel writing from Classical Antiquity (Herodotus) until the first half of the nineteenth century. Discussed are among others Herodotus, Egeria, Rubruck, Marco Polo, Columbus, Joachim Du Bellay, Busbequius, Gryphius, Goethe and Dickens. Central themes are fiction, literary tradition, scholarly discovery and observation.
Mystical Love in the German Baroque
Mystical Love in the German Baroque: Theology, Poetry, Music identifies the cultural and devotional conventions underlying expressions of mystical love in poetry and music of the German baroque. It sheds new light on the seemingly erotic overtones in settings of the Song of Songs and dialogues between Christ and the faithful soul in late 17th- and early 18th-century cantatas by Heinrich Sch tz, Dieterich Buxtehude, and Johann Sebastian Bach. While these compositions have been interpreted solely as a secularizing tendency within devotional music of the baroque period, Isabella van Elferen demonstrates that they need to be viewed instead as intensifications of the sacred. Based on a wide selec...
European Iconography - East and West
The present volume contains eighteen papers of a conference devoted to iconography and emblem studies. The essays represent the state of research and are arranged according to the following aspects: Iconography and Ideology, Iconography and History, The World of Emblems and Occult Emblematics.
Logic and the Art of Memory
A brilliant translation of this classic account of the art of memory and the logic of linkage and combination, the two traditions deriving from the Classical world and the late medieval period, and becoming intertwined in the 16th Century. From this intertwining emerged a new tradition, a grandiose project for an 'alphabet of the world' or 'Clavis Universalis'. Translated with an Introduction by Stephen Clucas.
Imago Exegetica
This volume consists of essays that pose fundamental questions about the relation between verbal and visual hermeneutics, especially as relates to biblical culture. Exegesis, as theologians and historians of art, religion, and literature, have come increasingly to acknowledge, was neither solely textual nor aniconic; on the contrary, following from Scripture itself, which is replete with verbal images and rhetorical figures, exegesis has traditionally utilized visual devices of all kinds. In turn, visual exegesis, since it concerns the most authoritative of texts, supplied a template for the interpretation of other kinds of significant text by means of images. Seen in this light, exegetical ...
