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Two artists, two completely different approaches, but one abiding passion - to celebrate the natural bounty to be found in the floodplains, swamps, savannas and woodlands of northern Australia. Mulkun Wirrpanda and John Wolseley, her adopted wawa (brother), have created a powerful body of works depicting many of the edible plants of north-east Arnhem Land.
Breakfast is said to be the most important meal of the day and nowhere is that fact more appreciated than at the Wolseley restaurant in London's Piccadilly. The brainchild of Jeremy King and Chris Corbin - celebrated restaurateurs - the Wolseley is a cross between the traditional robustness of the Parisian brasserie and the gloriously grand but cosy comfort of the Viennese cafe. Breakfast is an institution at the Wolseley and whether you want a healthy breakfast of fruit, cereal and yoghurt, or a full no-fuss English, every need is catered for using the finest ingredients from the best of British and European producers. "Breakfast at the Wolseley" serves up the ultimate guide to producing and enjoying a superb breakfast in the Wolseley style. There is a host of delicious recipes. You can also learn more about the background and ethos of the Wolseley with a description of the building and how it became the icon it is today.
For more than half a century John Wolseley has been widely acclaimed for the way his art practice engages with the environment and broader ecology. Working across several art mediums, but mostly known for his experimental techniques in printmaking and watercolour, Wolseley's work crosses over a number of disciplines including the natural sciences and philosophy. Although he draws on empirical investigation frequently immersing himself in the Australian environment, his deeply moving and profoundly beautiful works are full of great passion and consummate skill. Land Marks III is a collaboration between artist and art historian, John Wolseley and Sasha Grishin, which has developed over more than twenty years. It builds on two earlier editions to advance a timely and well-informed assessment of an artist who has been increasingly seen amongst artists as the environmental conscience of our time.
'Studio' presents an extraordinary anthology of visual and verbal insights into the way paintings are made, and the complex blend of motivation and inspiration that sustains the painter in his or her solitary search for meaning.
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David Jones's 'Anathemata' is a spiritual and historical poem which looks at the West and in particular Britain.
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