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Wild Honey
Highly regarded poet and anthologist Paula Green is the author of this novel and much overdue survey of New Zealand's women poets. At 568 pages, illustrated throughout by Sarah Laing and featuring the work of 195 poets (all of whom have biographies and full bibliographies), this book is a landmark volume and an incredible achievement. Its timing is perfect given the current re-examination of the role of the male gatekeepers of our literature in the 1940s and 1950s, who decided that women's poetry was weak and excluded it from the volumes of poetry that were to become the canon. How things have changed -- at present the most exciting poetry is coming from high-profile young women poets who al...
Raiment
Pioneering New Zealand poet Jan Kemp's memoir of her first 25 years is a vivid and frank account of growing up in the 1950s, and of university life in the late 1960s and early 1970s. It tracks from an innocent Waikato childhood to the seedy flats of Auckland, where anarchic student life, drugs, sexual experimentation, and a failing marriage could not keep her away from poetry. She became one of the few young women poets of her era to be allowed into the then male poet club. Weaving its own patterns and colours, Raiment shines a clear-eyed light on the heady, hedonistic hothouse of our literary community in the 1970s and reveals what it took, back then, to be an independent woman.
Women's Work
An inclusiveselection of women s poetry in English that features writers from 1900 through the present, thiscollection reflectsaspects of women s lives, such as work, childhood, God, and lust. Classic poems from Emily Dickinson, Elizabeth Bishop, and Sylvia Plath complement those from recent prize-winnersAlice Oswald, Deryn Rees-Jones, and Carol Ann Duffy. Showcasing the range, craft, intelligence, and skill of women s poetry, this compilation contains authors from Australia, Canada, the Caribbean, New Zealand, the United Kingdom, and the United States."
A History of New Zealand Women
What would a history of New Zealand look like that rejected Thomas Carlyle’s definition of history as ‘the biography of great men’, and focused instead on the experiences of women? One that shifted the angle of vision and examined the stages of this country’s development from the points of view of wives, daughters, mothers, grandmothers, sisters, and aunts? That considered their lives as distinct from (though often unwillingly influenced by) those of history’s ‘great men’? In her ground-breaking History of New Zealand Women, Barbara Brookes provides just such a history. This is more than an account of women in New Zealand, from those who arrived on the first waka to the Grammy ...
The Moon and Farmer Mcphee
A magical picture book that was winner of the 2011 NZ Post Children's Book Awards Book of the Year award. The cows and sheep think Farmer McPhee should stop frowning and start frisking. But Farmer McPhee just wants to get some sleep! Then one moonlit night, something changes... A collaboration between our best loved writer for children, Margaret Mahy, and the wonderfully quirky illustrator, David Elliot, this is a stunning and heart-warming book. Beautifully produced with cut-out sections and fold-out pages, it is a very special gift.
Poukahangatus
'Moving and hopeful ... will stay with me for a long time' Daisy Buchanan 'A fearless, young new voice' Carol Ann Duffy 'One of the most exciting debuts I've read in ages' Kaveh Akbar 'One of the most startling and original poets of her generation' Joy Harjo The voice of Tayi Tibble is one of most exciting in poetry today. In Poukahangatus (pronounced 'Pocahontas'), her debut volume, Tibble challenges a dazzling array of mythologies - Greek, Maori, feminist, kiwi - peeling them apart and respinning them in modern terms. Her poems move from rhythmic discussions of the Kardashians, sugar daddies and Twilight to exquisite renderings of precise emotions and the natural world alike. Tibble is als...
The Savage Coloniser Book
The voices of Tusiata Avia are infinite. She ranges from vulnerable to forbidding to celebratory with forms including pantoums, prayers and invocations. And in this electrifying new work, she gathers all the power of her voice to speak directly into histories of violence.Avia addresses James Cook in fury. She unravels the 2019 Christchurch massacre, walking us back to the beginning. She describes the contortions we make to avoid blame. And she locates the many voices that offer hope. The Savage Coloniser Book is a personal and political reckoning. As it holds history accountable, it rises in power.
The Friday Poem
An anthology of new New Zealand verse, which first appeared in the popular Friday Poem slot in The Spinoff website. It features some of the most well-known and established names in New Zealand poetry as well as new, exciting writers. It is a showcase of New Zealand poetry.
Sista, Stanap Strong!
Sista, Stanap Strong! is an anthology of new writing from Vanuatu by three generations of women—and the first of its kind. With poetry, fiction, essay, memoir, and song, its narrative arc stretches from the days of blackbirding to Independence in 1980 to Vanuatu's coming of age in 2020. Most of these writers are ni-Vanuatu living in Vanuatu. Some have set down roots in New Zealand, Fiji, the Solomon Islands, and Canada. Some were born overseas and have made Vanuatu their home. One is just twenty; another is an octogenarian. The writers in this anthology have chosen to harness the coloniser's language, English, for their own purposes. They are writing against racism, colonialism, misogyny, and sexism. Writing across bloodlines and linguistic boundaries. Professing their love for ancestors, offspring, and language— Bislama, vernacular, and English. What these writers also have in common is a sharp eye for detail, a love of words, a deep connection to Vanuatu, and a willingness to share a glimpse of their world. Includes a foreword by Viran Molisa Trief. Cover art: Juliette Pita
Modern Women Poets
This anthology draws together the work of women poets from Britain, Ireland and America as one version of a history of women's poetic writing, while not isolating women's writing from its intersection with the work of male contemporaries.
