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How many women sculptors can you name? This book will challenge perceptions that sculpture is a male pursuit and help you to understand the work and lives of dozens of women sculptors - significant artists from the past as well as those working in the exciting and varied world of sculpture today. Includes: Camille Claudel Barbara Hepworth Elisabeth Frink Niki de Saint Phalle Louise Bourgeois Ruth Asawa Rachel Whiteread Malvina Hoffman Maggi Hambling Cornelia Parker Senga Ningudi Phyllida Barlow Eva Hesse Sophie Ryder and many more...
Sculpture was no occupation for a lady in Victorian Britain. Yet between 1837 and 1901 the number of professional female sculptors increased sixteen-fold. The four principal women sculptors of that era are the focus of this book. Once known for successful careers marked by commissions from the royal family, public bodies and private individuals, they are forgotten now. This book brings them back to light, addressing who they were, how they negotiated middle-class expectations and what kind of impact they had on changing gender roles. Based on their unpublished letters, papers and diaries coupled with contemporary portrayals of female sculptors by novelists, critics, essayists and colleagues,...
"In 1875 Anne Whitney traveled to Florence, Italy, to select the marble for a statue of Samuel Adams commissioned for the U.S. Capitol. That summer, in a small village outside Paris, she noticed a woman who worked as a model for the local sculptors. Not the typical artists model, the woman was quite old and would often drowse while sitting for them, her kerchiefed head fallen forward in sleep. Later, when Whitney returned to America, she brought with her not only the completed statue for her respectable commission but the far less conventional Le Modèle, a deeply human image of the old woman. Created at a time when such subjects as the old and the poor were rarely given attention, Whitney's...
Lavishly illustrated, this ground-breaking book explores the work and context of a wide range of successful British women sculptors. Aspects addressed include artistic developments, training, exhibiting and written appraisals, examined via a wide range of sculptural forms such as domestic decorative work, portraits, statues, architectural sculpture, war memorials and ecclesiastical work.
Throughout most of Western art history, the heavy and dirty work of a sculptor was seen as a male occupation, and the sculpting of nude bodies was considered unsuitable for women. Nevertheless, at the turn of the 20th century several women from the Nordic countries trained as sculptors.
The first contemporary survey of postwar British women sculptors from modernism to the YBA's This publication focuses on postwar British women sculptors, including Tracey Emin, Mona Hatoum, Barbara Hepworth, Kim Lim, Sarah Lucas, Cornelia Parker and Rachel Whiteread.
Five centuries of fascinating female creativity presented in more than 400 compelling artworks and one comprehensive volume The most extensive fully illustrated book of women artists ever published, Great Women Artists reflects an era where art made by women is more prominent than ever. In museums, galleries, and the art market, previously overlooked female artists, past and present, are now gaining recognition and value. Featuring more than 400 artists from more than 50 countries and spanning 500 years of creativity, each artist is represented here by a key artwork and short text. This essential volume reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices. "Real changes are upon us, and today one can reel off the names of a number of first-rate women artists. Nevertheless, women are just getting started."—The New Yorker
Taschen's inventive layout is effective in presenting the provocative works, words, and biographies of the nearly 100 women artists gathered here. Grosenick, a freelance art historian in Germany, has selected women artists working in Germany, the US, South Africa, Japan, Poland, France, Scandinavia, and Spain, among other countries. The entry for each artist is six pages, with much of the space devoted to good- quality color photos of her work. c. Book News Inc.
This volume is a celebration of the 200 women artists in the Tate Collection. In a series of individual entries, the book takes the reader from the 17th century, when few professional opportunities were open to women artists, to the 21st century. Topics discussed include the changing position of women artists and major developments throughout the period, as well as critical thought on women artists and their interpretation and reception. The text on each artist gives an introduction to each woman's life and work in the context of her times, and a flavour of her individual contribution