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Herder's Political Thought
Johann Gottfried Herder was a philosopher and important intellectual presence in eighteenth-century Germany. Herder's Political Thought examines the work of this significant figure in the context of both historical and contemporary developments in political philosophy. Vicki A. Spencer reveals Herder as one of the first Western philosophers to grapple seriously with cultural diversity without abandoning a commitment to universal values and the first to make language and culture an issue of justice. As Spencer argues, both have made Herder a source of inspiration for the pluralist turn of contemporary political philosophy. Contending that in an era of globalization, it is no longer possible to ignore Herder's crucial insights on the relationship between cultural membership and individual identity, Spencer demonstrates how these ideas can help us understand, and perhaps resolve, the linguistic and cultural-political struggles of our times.
Refuge and Reality
This volume brings together papers by scholars from Germany, the USA, France, England and Ireland given at the first International Feuchtwanger Conference, held in Los Angeles in 2003. Some of Lion Feuchtwanger’s novels from his exile in the United States are analyzed here, as are the lives of Lion and Marta Feuchtwanger and their contacts in the German émigré world in California. In addition, two papers focus on aspects of Bertolt Brecht’s and Alfred Döblin’s lives as emigrants in California. This volume is of interest to students of exile studies, of German refuge in the USA and of modern German literature.
Herder's Naturalist Aesthetics
Provides an overview of Johann Gottfried Herder's aesthetics, interpreted as a naturalist theory with transformative historical significance for European philosophy.
Redeeming Words
In this probing look at Alfred Döblin's 1929 novel Berlin Alexanderplatz and the stories of W. G. Sebald, Redeeming Words offers a philosophical meditation on the power of language in literature. David Kleinberg-Levin draws on the critical theory of Benjamin and Adorno; the idealism and romanticism of Kant, Hegel, Hölderlin, Novalis, and Schelling; and the nineteenth- and twentieth-century thought of Nietzsche, Heidegger, and Derrida. He shows how Döblin and Sebald—writers with radically different styles working in different historical moments—have in common a struggle against forces of negativity and an aim to bring about in response a certain redemption of language. Kleinberg-Levin considers the fast-paced, staccato, and hard-cut sentences of Döblin and the ghostly, languorous, and melancholy prose fiction of Sebald to articulate how both writers use language in an attempt to recover and convey this utopian promise of happiness for life in a time of mourning.
Flight of Fantasy
After the end of Nazi era, many German writers claimed to have retreated into "Inner Emigration". This book presents the complexity of Inner Emigration through the analysis of individual cases of writers who, under constant pressure from a watchful dictatorship to conform and to collaborate, were caught between conscience and compromise.
The Concept of Religious Passion
The concept of religious passion is examined according to the teachings of that great Father of Modern Reason, Immanuel Kant, both as a philosophical concept and with respect to its place in Ethics, specifically Kantian ethics. Kant=s strong aversion to religious passion is presented in view of the Enlightenment movement and Reason versus the Emotions argument.
Song Loves the Masses
Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder’s writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder’s musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder’s own interpretive practice as a translator of languages and cultures, providing today’s readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals.
Literature of the Sturm und Drang
Carefully focused essays on major aspects of one of the most significant German literary movements, the Storm and Stress.
Goethe Yearbook 7
A publication of the Goethe Society of North America, carrying Goethe criticism (and studies of his contemporaries); extensive book review section. The Goethe Yearbook is a publication of the Goethe Society of North America, which was founded in 1980 to promote the study of Goethe and his contemporaries. Originally conceived as a vehicle for Goethe criticism in Englishduring the Cold War political tensions, when the most prestigious Goethe publication, the Goethe Jahrbuch, was not available to most Western scholars, the Yearbook subsequently gained the respect of the international community, and has published articles, in both English and German, by scholars from around the world; it is unique among other periodicals devoted to the 'Goethezeit' for its extensive book review section.
Walking the Tightrope
Feminist account of the chief writings of Therese Huber, the important 19th-c. German author. The German writer Therese Huber (1764-1829) lived at a time when women's activity outside the home was widely condemned, but the need to support themselves and their families forced many female writers to turn towards writing as ameans of earning their livelihood. Her prolific career, encompassing novels, short prose narratives and translations from French into German, besides the editing of a newspaper, demonstrates her ability to express herself while conforming to the male literary establishment. This study examines Huber's short prose narratives, showing the influence of various factors on women's writing, and the ways in which female writers incorporated dissent from the conventions into their works without jeopardising their professional and personal lives. Huber's works are both moralising, persuading her readers to become good housewives and mothers, and dissenting, constructing characters who refuse to abide by the norms. The author's feminist analysis of her narratives brings out their subtext of protest, showing how Huber negotiates for women's rights to self-expression.
