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Comedy
"Laughter makes us human" is the theme of these two classic works, one by the English novelist George Meredith, the other by the celebrated French philosopher Henri Bergson. Written some hundred years ago, largely in response to what their authors saw as the dehumanization of man in the industrial age, the essays still convey great sense and significance today.
The Punished Self
The Punished Self describes enslavement in the American South during the eighteenth century as a systematic assault on Blacks' sense of self. Alex Bontemps focuses on slavery's effects on the slaves' framework of self-awareness and understanding. Whites wanted Blacks to act out the role "Negro" and Blacks faced a basic dilemma of identity: how to retain an individualized sense of self under the incredible pressure to be Negro? Bontemps addresses this dynamic in The Punished Self. The first part of The Punished Self reveals how patterns of objectification were reinforced by written and visual representations of enslavement. The second examines how captive Africans were forced to accept a new identity and the expectations and behavioral requirements it symbolized. Part 3 defines and illustrates the tensions inherent in slaves' being Negro in order to survive. Bontemps offers fresh interpretations of runaway slave ads and portraits. Such views of black people expressing themselves are missing entirely from other historical sources. This book's revelations include many such original examples of the survival of the individual in the face of enslavement.
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Iris Murdoch's Comic Vision
This study looks at the comic dimension and ironic tone of Iris Murdoch's work and argues that these elements are as important to an understanding of her novels as is her use of mythic patterns and philosophical ideas.
An Age of Melodrama
At the turn of the century, Japanese fiction pulsed with an urge to render good and evil in ways that evoked dramatic emotions. This book examines four popular novels from this period by interweaving two threads of argument.
LIFE
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Cultural Critique and Abstraction
This study of Marianne Moore and the visual arts focuses on how art productions serve to break down and re-create cultural practice, proving that culture is a mutable organism, reluctant to change, but not impervious to it. In doing so, author Elisabeth W. Joyce shows that, even though Moore may have restricted herself to the quiet, provincial life of Brooklyn, her poetry attests to her resistance to the constrictions imposed by the predominating bourgeoisie. This study presents the bifurcation between modernism and the avant-garde where, while the modernists retreated from engagement in society, the avant-gardistes remained focused on political and social issues in order to critique stifling cultural phenomena so that art could effect cultural changes. In taking this stance, instead of viewing Moore's poetry as typically and provincially American, Joyce places her in the international and radical art movements of the early twentieth century.
Dickens's Villains
This study argues that Dickens' villains embody the crucial fusion between the deviant and theatrical aspects of his writing.
