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Le courage de réformer, c'est d'apporter des réponses concrètes aux questions que légitimement les citoyens se posent. Que faire pour dynamiser l'emploi, pour libérer les initiatives dans les entreprises, pour ajuster la fiscalité ? Que faire pour rendre les institutions plus représentatives et moderniser le fonctionnement des administrations ? Que faire pour rénover le service de santé, rétablir l'égalité des chances dans l'éducation et renforcer la compétitivité de notre enseignement supérieur ? Que faire pour les retraites ? Que faire pour l'intégration et la sécurité ? Que faire pour nous doter d'une justice plus équitable et plus efficace ? Que faire pour que la Fran...
The Encyclopedia of Christian Theology, translated from the French Dictionnaire Critique de Théologie 2nd Edition, features over 530 entries, contributed by 250 scholars from fifthteen different countries. Alphabetically arranged entries provide the reader a critical overview of the main theological questions and related topics, including concepts, events, councils, theologians, philosophers, movements, and more. Hailed as a "masterpiece of scholarship," this reference work will be of great interest and use for scholars, students of religion and theology as well as general readers.
John S. Kloppenborg gives a detailed analysis of one of the most difficult of Jesus' parables, the parable of the Tenants (Mark 12:1-12; Gospel of Thomas 65). He examines the ways in which Christians have typically read and mis-read the parable, and places the parable firmly in the context of the practices of ancient viticulture. The author models a new approach to the interpretation of the parables of Jesus. First, he critically engages the history of interpretation of the text, inquiring into the ideological interests that the parable has engaged during the history of its use in Christian churches and in political discourse. Second, he reconstructs the social world in which the parable was...
"Diane Sharon uses the tools of structuralist literary criticism to uncover social and theological patterns in the literature of the Hebrew Bible. After providing a brief framework for understanding the approach used in her study, she demonstrates that the social activity of eating and drinking, when accompanied by other literary motifs, is part of a pattern portending the establishment or condemnation of a cultural entity. This pattern she refers to as the Pattern of Destiny." "In addition to defining the "destiny pattern," Sharon shows that the "direction" of the eating and/or drinking event provides clues regarding the nature of the destiny portended: whether the event will turn out to the positive or negative for the individual or cultural entity is signaled by clues within the eating/drinking event, sometimes in opposition to the surface structure of the text in which these clues are embedded." --Book Jacket.
Greco-Roman Culture and the Galilee of Jesus, a book-length investigation of this topic, challenges the conventional scholarly view that first-century Galilee was thoroughly Hellenised. Examining architecture, inscriptions, coins and art from Alexander the Great's conquest until the early fourth century CE, Chancey argues that the extent of Greco-Roman culture in the time of Jesus has often been greatly exaggerated. Antipas's reign in the early first century was indeed a time of transition, but the more dramatic shifts in Galilee's cultural climate happened in the second century, after the arrival of a large Roman garrison. Much of Galilee's Hellenisation should thus be understood within the context of its Romanisation. Any attempt to understand the Galilean setting of Jesus must recognise the significance of the region's historical development as well as how Galilee fits into the larger context of the Roman East.
The ancient Middle East was the theater of passionate interaction between Phoenicians, Aramaeans, Arabs, Jews, Greeks, and Romans. At the crossroads of the Mediterranean, Mesopotamia, and the Arabian peninsula, the area dominated by what the Romans called Syria was at times a scene of violent confrontation, but more often one of peaceful interaction, of prosperous cultivation, energetic production, and commerce--a crucible of cultural, religious, and artistic innovations that profoundly determined the course of world history. Maurice Sartre has written a long overdue and comprehensive history of the Semitic Near East (modern Syria, Lebanon, Jordan, and Israel) from the eve of the Roman conqu...
The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible’s most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song’s voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text’s strophic patterns and its references to historical realia, explores the poem’s artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-sp...
In the Hellenistic and Roman world intimate relations existed between those holding power and the cults of Isis. This book is the first to chart these various appropriations over time within a comparative perspective. Ten carefully selected case studies show that “the Egyptian gods” were no exotic outsiders to the Hellenistic and Roman Mediterranean, but constituted a well institutionalised and frequently used religious option. Ranging from the early Ptolemies and Seleucids to late Antiquity, the case studies illustrate how much symbolic meaning was made with the cults of Isis by kings, emperors, cities and elites. Three articles introduce the theme of Isis and the longue durée theoretically, simultaneously exploring a new approach towards concepts like ruler cult and Religionspolitik.
In The Death of Jacob: Narrative Conventions in Genesis 47.28-50.26 Kerry Lee investigates the deathbed story of the patriarch Jacob and uncovers the presence of a variety of conventional structures underlying its composition, especially a conventional deathbed story or type scene also found in numerous other texts in the Hebrew Bible and non-canonical Jewish literature. Finding fault both with traditional diachronic approaches as well as more recent synchronic studies, Lee uses an eclectic but coherent blend of contemporary methods (drawn from narratology, linguistics, ritual theory, legal theory, assyriology, and other disciplines) to show that despite its probably composite pre-history the last three chapters of Genesis have been intentionally and artfully structured by the hand predominately responsible for their final form.