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Originally an electronic dance music form from the garage, drum and bass, and dub reggae clubs of South London, dubstep has merged with street art, pop art, and design to become a global design and music phenomenon, now entering the mainstream and influencing the likes of Snoop Dogg and Rihanna. Their subversion of regular corporate brands and language have also become a witty trope in recent advertising campaigns. The best of these artists worldwide are featured here, with amazing imagery and detailed analysis showing their influences and connections.
Where s Banksy? fully captures the artist s exploits around the world with clever chronologically-arranged maps. The only survey that looks at Banksy s entire street art career, from his earliest works in 2002 through Dismaland and to the present, with photos and in-depth analysis of the history and meaning of each work. Banksy s public persona has grown to mythic proportions, making his actual identity irrelevant. And yet, he can be found in his art - stylized social commentary for the masses. This book is the ultimate introduction to the work of this brilliant artist and social pioneer.
Presents a collection of anti-war graffiti images from around the world.
From Paris to L.A., London to Bergen, Sao Paulo to Vienna, and many more, no one has quite captured the strangeness, heroism, frustration or surreal quality of the coronavirus pandemic quite like the world's street artists. This brilliant small volume features the best examples: heroic nurses, lovers refusing to let COVID cool their passion, strange edicts from government, presidential recommendations featuring disinfectant, feelings of entrapment and longing for freedom... These artworks aren't just a fantastic take on the pandemic, but really capture the whole range of emotions that the world has lived through. Fine art isn't up to the task of defining this era. Street artists have taken on that mantle and have done it brilliantly.
Debate has long raged over whether graffiti can be considered an art form. Its illegal nature has caused many people to denounce it, while others contend that a work does not have to be legal to be art. The heart of the question is, what defines art? Informative text discusses competing views on the issue, presenting all sides of the debate to help readers form their own opinions. Engaging sidebars spotlight graffiti artists such as the famous Banksy, while eye-catching photographs provide examples of some of the most original graffiti designs.
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An extensive survey of Antoni Tàpies' work, revisiting the period the Catalan artist lived under Franco's dictatorship, between 1946 and 1977. In works that occupy a unique midground between painting and sculpture, Catalan artist Antoni Tàpies (1923-2012) fused the material vocabulary of Arte Povera and the gestural energy of Abstract Expressionism with the mystical sensibility of Iberian Catholicism. Tàpies showed a preference for an austere palate and unconventional materials reflecting the limited resources of his political environment. He spent three decades of his long productive career in Barcelona, where he lived and died, under the dictatorship of Francisco Franco. In that time, T...
Explore the geography of genius in Desperately Seeking B**ksy, a pocket-sized, smaller sibling of Wheres B**ksy that illuminates the interaction between artist and space. Where its predecessor featured in-depth analysis of each piece displayed, Desperately Seeking B**ksy offers accessibility and brevity for the more casual fan. The maps are streamlined, and analysis has been replaced by individual quotes that offer insight into the inspiration behind each piece. The artwork selection is up-to-the-minute, featuring 2017s Bridge Farm Primary School and The Walled Off Hotel. With a size and price point perfect for gifting or impulse buying, it makes Banksy's work available to a wider audience than ever before. Like the other titles in the Desperately Seeking series, Desperately Seeking B**ksy looks at a major cultural icon from a brand-new perspective, providing context for his work and legacy.
Foregrounding street art in the capital cities of Cuba, Haiti, and Puerto Rico, this book argues that Antillean street artists diagnose the “impossible state” of the arrested present (colonized, occupied, or under dictatorship) while simultaneously imagining liberated futures and fully sovereign states. Jana Evans Braziel launches a comparative study of art, politics, history, urban street cultures, engaged citizenships, and social transformations in three Antillean capital cities—Havana, Cuba; Port-au-Prince, Haiti; and San Juan, Puerto Rico—of the Greater Caribbean. The book includes a photo documentary archive of street art, murals, and installations by key muralists in these citi...
A cultural imaginary is a structuring space through which collective understandings of cultural and society phenomena are formed, reproduced, and accepted as the norm. Reading the Walls of Bogotá uses graffiti and street art to explore the urban imaginaries of violence in Bogotá, Colombia. These artistic forms are produced and received in different ways in different areas of the city and offer an insight into citizens’ everyday experiences and perceptions of violence from the political, to the personal, to that of structural inequality. Through graffiti, in which critiques of memory, space, politics, and aesthetics are embedded, artists and their viewers form vernacular theories through which they interpret the world and the spaces they inhabit. By focusing on creative expression, Alba Griffin shows how Bogotá’s residents respond to imaginaries of violence, how they critique the norms, how they appropriate space to challenge or negotiate violence, and how they push back against inequality.