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Getting Used to Dying
For years, Zhang Xianliang has been in and out of prison and labor camps while achieving recognition as one of China's foremost writers, and this powerful autobiographical novel and insider's portrait brilliantly chronicles what it means to be Chinese in China today.
Half of Man Is Woman
As the Cultural Revolution rages, Zhang falls in love with a peasant woman jailed for promiscuity. After becoming separated for years, they unite, but Zhang has been made impotent, half a man, which eventually destroys their relationship."
Grass Soup
Zhang Xianliang, one of China's greatest living writers, spent twenty-two years in Chinese prisons and labor camps until his "rehabilitation" in 1979. Through most of those years he kept a diary of his experiences. Because any detail would have meant the diary's destruction and Zhang's execution, the entries were curt and cryptic; sometimes entire days were condensed into two or three words. This is a frightening portrait of how a major civilization can bring itself to its knees by mass complicity, told with a deft matter-of-factness that only highlights the horror.
Masculinity Besieged?
A feminist psychoanalytic account of changing conceptions of men and masculinity as seen in recent Chinese literature.
The Great Wall of Confinement
China is the only major world power to have entered the twenty-first century with a thriving prison camp network—a frightening, mostly hidden realm known since 1951 as the laogai system. This book, the most comprehensive study of China's prison camps to date, draws from a wide range of primary sources, including many compelling literary documents, to illuminate life inside China's prison camps. Focusing mainly on the second half of the twentieth century, Philip F. Williams and Yenna Wu outline the evolution of the laogai system, construct a vivid picture of prisoners' lives from arrest and interrogation to release, and provide a troubling new perspective on the human rights issues plaguing China.
Remolding and Resistance Among Writers of the Chinese Prison Camp
Presenting extensive analysis of literary and biographical accounts, this illuminating book provides a window to the affective side and emotional tenor of day-to-day life in modern day labour camps in China.
A Guide to Chinese Literature
Selected for Choice's list of Outstanding Academic Books for 1997. A comprehensive overview of China's 3,000 years of literary history, from its beginnings to the present day. After an introductory section discussing the concept of literature and other features of traditional Chinese society crucial to understanding its writings, the second part is broken into five major time periods (earliest times to 100 c.e.; 100-1000; 1000-1875; 1875-1915; and 1915 to the present) corresponding to changes in book production. The development of the major literary genres is traced in each of these periods. The reference section in the cloth edition includes an annotated bibliography of more than 120 pages; the paper edition has a shorter bibliography and is intended for classroom use.
Occidentalism
This revised and expanded edition of the first comprehensive study of Occidentalism in post-Mao China includes a new preface, foreword, and chapter on Chinese diaspora writings in the Chinese language. Xiaomei Chen offers an insightful account of the unremittingly favorable depiction of Western culture and its negative characterization of Chinese culture in post-Mao China since 1978. She examines the cultural and political interrelationship between the East and West from a vantage point more complex than that accommodated by most current theories of Western imperialism and colonialism. Going beyond Edward Said's construction in Orientalism of cross-cultural appropriations as a defining facet...
The Mouth that Begs
Drawing on narrative works acoss a century and across Chinese and Chinese-American cultural lines, Yue examines Chinese cultural politics of the twentieth century as an "alimentary discourse," where the roles of food and "eating" wi
Rewriting Chinese
Everyone who has studied the upheavals of modern China knows that one of them has taken place in Chinese writing. Anyone who has read Chinese texts has also eventually pondered the possible significance of this upheaval for understanding the text, and vice versa. By analyzing formal features and speculating about their relevance to the construction of a modern Chinese culture, this book intends to show why the Chinese have come to write the way they do in this century. Drawing on linguistic and rhetorical descriptions of language in writing as features of style, the author reviews the innovations that have been introduced into modern Chinese prose from both Chinese and foreign sources. The s...
