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The ancient story of King Goujian, a psychologically complex 5th-century BCE monarch, spoke powerfully to the Chinese during the 20th century, but remains little known in the West. This book explores the story's connections to the major traumas of the 20th century, and also considers why such stories remain unknown to outsiders.
This book was written to assist the dermatologists and practitioners in the management of rare and challenging skin disorders. It is the most valuable collection of such skin disorders from more than 274 outstanding contributors over 4 decades in China. In this book, a comprehensive coverage of about 387 conditions are illustrated by 1215 superb images, and each is introduced with an initial summary of clinical characters. This atlas incorporates a wide range of skin disorders from the mildest and common conditions to the most severe conditions. The objective of this book is to provide readers with a clinical reference, which can be easily approachable and possesses the necessary expertise to sharpen a dermatologist’s diagnostic and clinical acumen.
Li Jie, the future 23rd century all-round killer, an international wanted criminal, was forced to travel to the 21st century. He was determined to unify the business world and change the situation in the future in this era. After he had teleported to the coastal city, he used the "Omnipotent Data APP" to find a strong business woman, Huo Chengjun, who was in charge of film and television, and became a security guard for the "Chengjun Shadow Entertainment Company." He was charming, ruthless, and crafty. He relied on his Omnipotent Data APP to roam the business world.
The first book in English on women’s history in twentieth-century Manchuria, Resisting Manchukuo adds to a growing literature that challenges traditional understandings of Japanese colonialism. Norman Smith reveals the literary world of Japanese-occupied Manchuria (Manchukuo, 1932-45) and examines the lives, careers, and literary legacies of seven prolific Chinese women writers during the period. He shows how a complex blend of fear and freedom produced an environment in which Chinese women writers could articulate dissatisfaction with the overtly patriarchal and imperialist nature of the Japanese cultural agenda while working in close association with colonial institutions.
In 1944, the novel Xie (Crabs) by Mei Niang (1916-2013) was honored with the Japanese Empire’s highest literary award, Novel of the Year. Then, at the peak of her popularity, Mei Niang published in Japanese-owned, Chinese-language journals and newspapers in the Japanese puppet state of Manchukuo (1932-1945), Japan, and north China. Contemporaries lauded her writings, especially for introducing liberalism to Manchuria’s literary world. In Maoist China, however, Mei Niang was condemned as a traitor and a Rightist with her life and career torn to shreds until her formal vindication in the late 1970s. In 1997, Mei Niang was named one of "Modern China's 100 Writers." The collection that is tr...
Based on PBS television series Faces of America hosted by Henry Louis Gates, Jr.