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Based on translations of an unique Tang text, the Collected Statements, this work explores a worthy social commentary on the examination life that its compiler witnessed. Gradually providing a full picture of the civil service examination, it describes the emergence of the literary culture surrounding civil service examination recruitment during China's Tang dynasty (618-907); considers the series of rituals that Tang examination candidates underwent throughout the annual examinations; contrasts lavish court ceremonies of the early Tang period with more private rituals of acknowledgement that became fashionable in the second half of the dynasty. An annual programme of rituals became the cardinal definition of examination recruitment for both participants and onlookers. With valuable insights into the political and social tensions in the Tang history of competitive examination degrees.
" The poetry of the Late Tang often looked backward, and many poets of the period distinguished themselves through the intensity of their retrospective gaze. Chinese poets had always looked backward to some degree, but for many Late Tang poets the echoes and the traces of the past had a singular aura. In this work, Stephen Owen resumes telling the literary history of the Tang that he began in his works on the Early and High Tang. Focusing in particular on Du Mu, Li Shangyin, and Wen Tingyun, he analyzes the redirection of poetry that followed the deaths of the major poets of the High and Mid-Tang and the rejection of their poetic styles. The Late Tang, Owen argues, forces us to change our very notion of the history of poetry. Poets had always drawn on past poetry, but in the Late Tang, the poetic past was beginning to assume the form it would have for the next millennium; it was becoming a repertoire of available choices--styles, genres, the voices of past poets. It was this repertoire that would endure. "
This book uses the monographic study of litigation subjects, prosecution, trial, and enforcement to reveal the formation, operation, and development of criminal proceeding conventions in the Tang Dynasty. It also outlines the combination, coordination, and interaction of rules, conventions, and ideas in the traditional Chinese legal system, and presents an overview of the evolution and development of traditional litigation in China. This book is intended mainly for scholars and graduate and undergraduate students in the fields of law and Chinese history.
The Southern Tang was one of China’s minor dynasties and one of the great states in China in the tenth century. Although often regarded as one of several states preceding the much better known Song dynasty (960-1279), the Southern Tang dynasty was in fact the key state in this period, preserving cultural values and artefacts from the former great Tang dynasty (618-907) which were to form the basis of Song rule, and thereby presenting the Song with a direct link to the Tang and it traditions. Drawing mainly on primary Chinese sources, this is the first book in English to provide a comprehensive overview of the Southern Tang, and full coverage of military, cultural and political history in t...
"In seventeenth-century China, as formerly disparate social spheres grew closer, the theater began to occupy an important ideological niche among traditional cultural elites, and notions of performance and spectatorship came to animate diverse aspects of literati cultural production. In this study of late-imperial Chinese theater, Sophie Volpp offers fresh readings of major texts such as Tang Xianzu’s Peony Pavilion (Mudan ting) and Kong Shangren’s Peach Blossom Fan (Taohua shan), and unveils lesser-known materials such as Wang Jide’s play The Male Queen (Nan wanghou). In doing so, Volpp sheds new light on the capacity of seventeenth-century drama to comment on the cultural politics of...
The book begins with a history of previous translations of Tang tales, surveying how Chinese scholarship has shaped the reception and rendition of these texts in the West. In that context, Tang Dynasty Tales offers the first annotated translations of six major tales (often called chuanqi, “transmitting the strange”) which are interpreted specifically for students and scholars interested in medieval Chinese literature. Following the model of intertextual readings that Glen Dudbridge introduced in his The Tale of Li Wa (Oxford, 1983), the annotation points to resonances with classical texts, while setting the tales in the political world of their time; the “Translator's Notes” that fol...
Analysis of a seventh-century Chinese anthology on imperial governance
This set of six volumes provides a systematic and standardized description of 23,033 chemical components isolated from 6,926 medicinal plants, collected from 5,535 books/articles published in Chinese and international journals. A chemical structure with stereo-chemistry bonds is provided for each chemical component, in addition to conventional information, such as Chinese and English names, physical and chemical properties. It includes a name list of medicinal plants from which the chemical component was isolated. Furthermore, abundant pharmacological data for nearly 8,000 chemical components are presented, including experimental method, experimental animal, cell type, quantitative data, as well as control compound data. The seven indexes allow for complete cross-indexing. Regardless whether one searches for the molecular formula of a compound, the pharmacological activity of a compound, or the English name of a plant, the information in the book can be retrieved in multiple ways.
Patrons and Patriarchs breaks new ground in the study of clergy-court relations during the tumultuous period that spanned the collapse of the Tang dynasty (618–907) and the consolidation of the Northern Song (960–1127). This era, known as the Five Dynasties and Ten Kingdoms, has typically been characterized as a time of debilitating violence and instability, but it also brought increased economic prosperity, regional development, and political autonomy to southern territories. The book describes how the formation of new states in southeastern China elevated local Buddhist traditions and moved Chan (Zen) monks from the margins to the center of Chinese society. Drawing on biographies, insc...