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Suspended Music
The Chinese made the world's first bronze chime-bells, which they used to perform ritual music, particularly during the Shang and Zhou dynasties (ca. 1700-221 B.C.). Lothar von Falkenhausen's rich and detailed study reconstructs how the music of these bells—the only Bronze Age instruments that can still be played—may have sounded and how it was conceptualized in theoretical terms. His analysis and discussion of the ritual, political, and technical aspects of this music provide a unique window into ancient Chinese culture. This is the first interdisciplinary perspective on recent archaeological finds that have transformed our understanding of ancient Chinese music. Of great significance to the understanding of Chinese culture in its crucial formative stage, it provides a fresh point of departure for exploring later Asian musical history and offers great possibilities for comparisons with music worldwide.
Super Gene Ⅰ- 1-500 Chapter
The future unfolded on a magnificent scale into the Interstellar Age. Humanity finally solved the s.p.a.ce warp technology, but when humanity transported themselves into the other end, they discovered that place neither had a past nor future, nor was there any land under the starry skies…… The mysterious sanctuary was actually a world filled with countless tyrannical unusual organisms. Humanity faced their great leap in evolution, starting the most glorious and resplendant new era under the starry skies. “Slaughtered the G.o.d Blood organism ‘Black Beetle’. Received the G.o.d Blood Black Beetle’s Beast Soul. Used the G.o.d Blood Black Beetle’s flesh. Randomly obtaining 0 to 10 points of G.o.d Gene(s).”
Making Sense Of The Three Kingdoms
The Three Kingdoms is a tumultuous period in Chinese history when warlords battled one another to rule all under the heavens. Many Chinese fables and legends were made during this time, revealing the complex, multi-dimensional characteristics of the Chinese race. There are as many modern versions of the Three Kingdoms as there are ancient texts. However, those which are easy to read or watch on screen are often lacking in depth and detail. Others are meaningful but fiendishly difficult to read. Much more than just a translation, this book is written in modern English, balancing depth with easy reading. For those new to the Three Kingdoms, it offers an introduction with just the right dose of detail. For those already familiar with the Three Kingdoms, it may offer a deeper understanding or sense of realism on this epic saga.
Daoism in History
Over the last decade there has been a marked increase in the study of Daoism especially in Japan, China and the West, with a new generation of scholars broadening our understanding of the religion. Including contributions from the foremost scholars in the field, Daoism in History presents new and important research. These essays honour one of the pioneers of Daoist studies, Emeritus Professor Liu Ts'un-yan. His major essay 'Was Celestial Master Zhang a Historical Figure?' addresses one of the pivotal questions in the entire history of Daoism and is included here as the final essay. In addition, a Chinese character glossary, bibliography and index conclude the book. The first in an exciting new series, this book presents brand new thinking on Daoism - a field now recognized as one of the most vital areas of research in Chinese history and the history of religions.
CCDI Architecture
A comprehensive monograph of this practice, ranked the fastest-growing firm in China.
Book of Jin Dynasty
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China's Southern Tang Dynasty, 937-976
The Southern Tang was one of China’s minor dynasties and one of the great states in China in the tenth century. Although often regarded as one of several states preceding the much better known Song dynasty (960-1279), the Southern Tang dynasty was in fact the key state in this period, preserving cultural values and artefacts from the former great Tang dynasty (618-907) which were to form the basis of Song rule, and thereby presenting the Song with a direct link to the Tang and it traditions. Drawing mainly on primary Chinese sources, this is the first book in English to provide a comprehensive overview of the Southern Tang, and full coverage of military, cultural and political history in t...
Soulful Echoes: The Tale of Two Xiangyangs
When historian Manro Lu travels to China to uncover a mysterious family heirloom, she discovers much more than ancient secrets. There, she crosses paths with handsome professor Jafung Yu, sparking an unexpected yet undeniable attraction. Linked by a broken 800-year-old jade pendant, Manro and Jafung find themselves inexplicably drawn together as they piece together clues about the artifact’s past owners - two forbidden lovers separated by war. Emotions intensify amid quiet moments on scenic bridges and candlelit ancient temples. Yet with so much history and baggage in Manro’s delicate mission, what future can two young romantics share when the past pulls them apart? From the picturesque rivers of Xiangyang Shire to the bustling streets of Xiangyang City, experience the blooming passion between a Korean expatriate and a local Chinese scholar. Two hearts brought together by a name and torn asunder by time find that love can bridge more than culture, generations, wars, and broken pendants.
Legends of Evil Spirit
100,000 miles of mountains and rivers shattered. 80 million corpses were buried in the sky. In drunkenness, the dream was born with bitterness. After waking up, he would not become an immortal! ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... I am just a village child, forced by fate to go through a tragic life, suffering unspeakably in my heart, becoming an inscriptionist, witnessing the coming of a chaotic world, the rise of demi-humans, the unravel of the Immortal's War, the secrets of the three great dead, step by step, I have to unearth the truth of this world, to find out the true story of myself, the legend of the demonkind ... [Previous Chapter] [Table of Contents] [Next Chapter] [Previous Chapter] [Table of Contents] [Next Chapter]
Stateless Subjects
Known in the West primarily through poorly subtitled films, Chinese martial arts fiction is one of the most iconic and yet the most understudied form of modern sinophone creativity. Current scholarship on the subject is characterized by three central assumptions against which this book argues: first, that martial arts fiction is the representation of a bodily spectacle that historically originated in Hong Kong cinema; second, that the genre came into being as an escapist fantasy that provided psychological comfort to people during the height of imperialism; and third, that martial arts fiction reflects a patriotic attitude that celebrates the greatness of Chinese culture, which in turn is variously described as the China-complex, colonial modernity, essentialized identity, diasporic consciousness, anxieties about globalization, or other psychological and ideological difficulties experienced by the Chinese people.
