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A World Apart
Women have been present on the Israeli screen since its inception, but have never held a central role in the narrative. The first canonical Israeli woman filmmaker, Michal Bat Adam, released her first feature film Moments in 1979, that focused on a friendship between women, a theme unexplored until then in Israeli cinema, and it is today considered as the film that opened a way for female Israeli filmmakers to realize their experiences were worth telling. Since then there has been an increasing number of female Israeli filmmakers, primarily since the turn of the Millenium. A World Apart: Contemporary Israeli Women’s Cinema is a book that explores the contributions of female Israeli filmmak...
Film in the Middle East and North Africa
*A timely window on the world of Middle Eastern cinema, this remarkable overview includes many essays that provide the first scholarly analysis of significant works by key filmmakers in the region.
The Politics of Loss and Trauma in Contemporary Israeli Cinema
The last decade has marked the growing visibility and worldwide interest in Israeli cinema. Films such as Walk on Water, Or, My Treasure, Beaufort and Waltz with Bashir have been commercially and critically successful both in Europe and the United States and have won a number of prestigious international awards. This book examines for the first time the new ideological and aesthetic trends in contemporary Israeli cinema. More specifically, it critically explores the complex and crucial role of Israeli cinema in remembering and restaging traumas and losses that were denied entry into the shared national past. One of the most striking phenomena in contemporary Israeli cinema is the number and ...
Just Images
Just Images: Ethics and the Cinematic charts current developments within the field of ethics and the role it plays in the study of moving images. It is the first collection of essays of its kind that brings together articles by film and media scholars from three continents, and provides multiple points of engagement of film with present and past histories, politics, myth making, and with core aspects of human subjectivity. The essays cover a wide range of topics, such as the European Union; Europe during World War II and after; film genres; the Israeli–Palestinian conflict; early American history, and recent catastrophic events. The collection includes an introductory chapter by Thomas Els...
Visualizing Jews Through the Ages
This volume explores literary and material representations of Jews, Jewishness and Judaism from antiquity to the twenty-first century. Gathering leading scholars from within the field of Jewish Studies, it investigates how the debates surrounding literary and material images within Judaism and in Jewish life are part of an on-going strategy of image management - the urge to shape, direct, authorize and contain Jewish literary and material images and encounters with those images - a strategy both consciously and unconsciously undertaken within multifarious arenas of Jewish life from early modern German lands to late twentieth-century North London, late Antique Byzantium to the curation of contemporary Holocaust exhibitions.
Projecting the Nation
Projecting the Nation: History and Ideology on the Israeli Screen is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat’s Israeli Cinema: East West and the Politics of Representation from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat’s book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology.
The Horrors of Trauma in Cinema
This volume explores the multifaceted depiction and staging of historical and social traumata as the result of extreme violence within national contexts. It focuses on Israeli-Palestinian, German and (US) American film, and reaches out to cinematic traditions from other countries like France, Great Britain and the former USSR. International and interdisciplinary scholars analyze both mainstream and avant-garde movies and documentaries premiering from the 1960s to the present. From transnational and cross-genre perspectives, they query the modes of representation – regarding narration, dramaturgy, aesthetics, mise-en-scène, iconology, lighting, cinematography, editing and sound – held by...
Israeli Cinema
With top billing at many film forums around the world, as well as a string of prestigious prizes, including consecutive nominations for the Best Foreign Film Oscar, Israeli films have become one of the most visible and promising cinemas in the first decade of the twenty-first century, an intriguing and vibrant site for the representation of Israeli realities. Yet two decades have passed since the last wide-ranging scholarly overview of Israeli cinema, creating a need for a new, state-of-the-art analysis of this exciting cinematic oeuvre. The first anthology of its kind in English, Israeli Cinema: Identities in Motion presents a collection of specially commissioned articles in which leading I...
The Israeli Defence Forces’ Representation in Israeli Cinema
Of all the Biblical heroes, the character of King David is perhaps the most paradoxical and also the most difficult to grasp. He is the Biblical Man for all seasons: a warrior, a lover, a poet, a killer and a restorer. This elaborate and fascinating archetypal hero influenced and inspired the representation of the Israeli soldier in Israeli media, art and cinema, from the establishment of the State of Israel until the present day. This book investigates whether Israeli art and film now place a focus on soldiers not as fighters, but as victims and the relationship between David as an adult and the State of Israel half a century after its establishment. As in gender studies, it is only in the ...
One Hundred Years of Kibbutz Life
One Hundred Years of Kibbutz Life shows that the kibbutz thrives and describes changes that have occurred within Israel's kibbutz community. The kibbutz population has increased in terms of demography and capital, a point frequently overlooked in debates regarding viability. Like the kibbutz founders who established a society grounded in certain principles and meeting certain goals, kibbutz newcomers seek to build an idealistic society with specific social and economic arrangements. The years 1909-2009 marked a century of kibbutz life--one hundred years of achievements, challenges, and creative changes. The impact of kibbutzim on Israeli society has been substantial but is now waning. While ...
