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Israeli Culture between the Two Intifadas
Over the past two decades, profound changes in Israel opened its society to powerful outside forces and the dominance of global capitalism. As a result, the centrality of Zionism as an organizing ideology waned, prompting expressions of anxiety in Israel about the coming of a post-Zionist age. The fears about the end of Zionism were quelled, however, by the Palestinian uprising in 2000, which spurred at least a partial return to more traditional perceptions of homeland. Looking at Israeli literature of the late twentieth century, Yaron Peleg shows how a young, urban class of Israelis felt alienated from the Zionist values of their forebears, and how they adopted a form of escapist romanticism as a defiant response that replaced traditional nationalism. One of the first books in English to identify the end of the post-Zionist era through inspired readings of Hebrew literature and popular media, Israeli Culture between the Two Intifadas examines Israel's ambivalent relationship with Jewish nationalism at the end of the twentieth century.
Jewish Women
Jewish Women: Between Conformity and Agency examines the concepts of gender and sexuality through the primary lens of visual and material culture from antiquity through to the present day. The backbone of this transhistorical and transcontextual study is the question of Jewish women’s agency in four different geographical, chronological, and methodological contexts, beginning with women’s dress codes in Roman-Byzantine Syro-Palestine, continuing with rituals of purity in medieval Ashkenaz, worship in papal Avignon and the Comtat Venaissin, and ending with marriage and divorce in Israeli film. Each of these explorations is interested in creating a dialogue between the patriarchal legacy o...
Sephardic Jewry and Mizrahi Jews
Volume XXII of the distinguished annual Studies in Contemporary Jewry explores the major and rapid changes experienced by a population known variously as "Sephardim," "Oriental" Jews and "Mizrahim" over the last fifty years. Although Sephardim are popularly believed to have originated in Spain or Portugal, the majority of Mizrahi Jews today are actually the descendants of Jews from Muslim and Arab countries in the Middle East, North Africa, and Asia. They constitute a growing proportion of Israeli Jewry and continue to revitalize Jewish culture in places as varied as France, Latin America, and the United States. Sephardic Jewry and Mizrahi Jews offers a collection of new scholarship on the i...
Orientalism and the Hebrew Imagination
Calling into question prevailing notions about Orientalism, Yaron Peleg shows how the paradoxical mixture of exoticism and familiarity with which Jews related to Palestine at the beginning of the twentieth century shaped the legacy of Zionism. In Peleg's view, the tension between romancing the East and colonizing it inspired a revolutionary reform that radically changed Jewish thought during the Hebrew Revival that took place between 1900 and 1930. Orientalism and the Hebrew Imagination introduces a fresh voice to the contentious debate over the concept of Orientalism. Zionism has often been labeled a Western colonial movement that sought to displace and silence Palestinian Arabs. Based on h...
Israeli Cinema
With top billing at many film forums around the world, as well as a string of prestigious prizes, including consecutive nominations for the Best Foreign Film Oscar, Israeli films have become one of the most visible and promising cinemas in the first decade of the twenty-first century, an intriguing and vibrant site for the representation of Israeli realities. Yet two decades have passed since the last wide-ranging scholarly overview of Israeli cinema, creating a need for a new, state-of-the-art analysis of this exciting cinematic oeuvre. The first anthology of its kind in English, Israeli Cinema: Identities in Motion presents a collection of specially commissioned articles in which leading I...
Israeli Bourekas Films
A genre of comic melodramas produced in the 1960s and '70s, Bourekas films are among the most popular films ever made in Israel. In Israeli Bourekas Films, author and filmmaker Rami Kimchi sets out a history of Bourekas films and discusses their origin. Kimchi considers the representation of Sephardi or Mizrahi Jews in the films, noting that the material culture reflected in the the films presented a culture that was closer to the European Yiddish culture than to the Middle Eastern world of the Mizrahim. Kimchi reflects on the enormous popularity and commercial success of Bourekas films, uncovers how they were made, who made them and why, and discusses the impact of the films on Israeli cinema today. Israeli Bourekas Films is a film insider's view of the characters, stories, and cultures that made Bourekas films such an important part of Israeli life.
Music, Longing and Belonging
With contributions from musicologists, historians, sociologists, anthropologists and literary scholars, this book provides an interdisciplinary perspective on how different modes of musical sociability - ranging from opera performances to collective singing and internet fan communities - inspire ""imagined communities"" that not only transcend national borders, but also challenge the boundaries between the self and the other. While the relationship between music and nationhood has been widely r...
Zionism and Revolution in European-Jewish Literature
Zionism and Revolution in European-Jewish Literature examines twentieth-century Jewish writing that challenges imperialist ventures and calls for solidarity with the colonized, most notably the Arabs of Palestine and Africans in the Americas. Since Edward Said defined orientalism in 1978 as a Western image of the Islamic world that has justified domination, critics have considered the Jewish people to be complicit with orientalism because of the Zionist movement. However, the Jews of Europe have themselves been caught between East and West —both marginalized as the "Orientals" of Europe and connected to the Middle East through their own political and cultural ties. As a result, European-Je...
Projecting the Nation
Pioneers, fighters and immigrants -- Looking inward -- Present absentees -- The post-Zionist condition -- The post-political turn in Israeli cinema -- Eros on the Israeli screen -- In the image of the divine -- Epilogue. Big screens, small screens.
Reel Kabbalah
Reel Kabbalah: Jewish Mysticism and Neo-Hasidism in Contemporary Cinema studies the ways in which fictional film in the first decade of the twenty-first century represents the esoteric Jewish speculative traditions known as Kabbalah and Hasidism. It examines the textual and conceptual traditions behind five important cinematic representations -- Pi (1998), Ushpizin (2004), Bee Season (2005), The Secrets (2007), and A Serious Man (2009) -- and it considers how film both stands in continuity with those traditions and modifies them in the New Age vein of what is known as neo-Kabbalah and neo-Hasidism. Brian Ogren transforms our understanding of reception history by focusing on how cinema has altered perceptions of Jewish mysticism. In showing how the Jewish speculative traditions of Kabbalah and Hasidism have been able to affect mass-consumed cinematic portrayals of ultimate Truth, this book sheds light on the New Age, pop-cultural dialectic of the particular within the universal and of the universal within the particular.
