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From the Franz Kafka Prize–winning author of Lenin’s Kiss, a “stupendous and unforgettable” novel of Mao’s China (The Times, London). In the ninety-ninth district of a re-education compound, freethinking artists and academics are detained to strengthen their loyalty to Communist ideologies. Here, the Musician and her lover, the Scholar, along with the Author and the Theologian, are subjected to grinding physical labor. They are also encouraged to inform on each other’s dissident behavior—for the prize of a chance at freedom. Their preadolescent supervisor, the Child, delights in reward systems and excessive punishments. But when agricultural and industrial production quotas are raised to an unattainable level, the ninety-ninth district dissolves into lawlessness. As inclement weather and famine set in, the people are abandoned by the regime and left alone to survive. Set inside a labor camp during Mao’s Great Leap Forward, Booklist calls The Four Books a “rich and complex novel,” from “China’s most heralded and censored modern writer” (The South China Morning Post).
One dusk in early June, in a town deep in the Balou mountains, fourteen-year-old Li Niannian notices something strange about his town. Instead of settling down for the night, the residents start appearing in the streets and fields. There are people everywhere. Li Niannian watches, mystified. But then he realises the people are dreamwalking, carrying on with their daily business as if the sun hadn’t gone down. And before too long, as more and more people succumb, in the black of night all hell breaks loose. Set over the course of one night, The Day the Sun Died sets chaos and darkness against the sunny optimism of the ‘Chinese dream’ promoted by President Xi Jinping. We are thrown into the middle of an increasingly strange and troubling waking nightmare as Li Niannian and his father struggle to save the town, and persuade the sun to rise again.
This “blistering satire” of modern China was a finalist for the Man Booker International Prize and a New York Times Editor’s Choice novel (Publishers Weekly, starred review). Lenin’s Kisses is set in modern day China, in the village of Liven. Nestled within the Balou Mountains, the people have enough food and leisure to be content—until their crops and livelihood are obliterated by a snowstorm in the middle of summer. Then a county official arrives with a peculiar plan. He wants to use the villagers to start a traveling performance troupe. Next, he’ll take the profits and buy Lenin’s embalmed corpse from Russia and install it in a mausoleum to attract tourism. But the success of the Shuanghuai County Special-Skills Performance Troupe comes at a serious price. Named a finalist for the 2013 Man Booker International Prize, Lenin’s Kisses is “a satirical masterpiece” (Kirkus) that was on Best Book of 2012 lists from the New Yorker, MacLeans, and Kirkus, and was also a New York Times Editors’ Choice.
From the Franz Kafka Prize–winning author. “Full of love, sorrow, and tenderness . . . a deeply heartfelt account of his family in the 1960s and 70s.” —Xiaolu Guo, award-winning author of Nine Continents With lyricism and deep emotion, Yan Lianke chronicles the extraordinary lives of his father and uncles, as well as his own during the Cultural Revolution. Living in a remote village, Yan’s parents are so poor that they can only afford to use wheat flour on New Year and festival days, and while Yan dreams of fried scallion buns, and even steals from his father to buy sesame seed cakes. He yearns to leave the village, however he can, and soon novels become an escape. He resolves to b...
“Yan is one of those rare geniuses who finds in the peculiar absurdities of his own culture the absurdities that infect all cultures.” —The Washington Post From the Kafka Prize winner and two-time Booker Prize finalist, this is a gripping and bitingly satirical story of ambition and betrayal, following two young communist revolutionaries whose forbidden love sets them apart from their traditionally minded village as the Cultural Revolution sweeps China. Gao Aijun is a son of the soil of Henan’s Balou Mountains, and after his Army service, he is on his way back to his ancestral village, feeling like a hero. Close to his arrival, he sees a strikingly attractive woman walking barefoot a...
“A brilliant and harrowing novel” about a deadly epidemic fueled by corruption, based on real-life events in China (Publishers Weekly, starred review). Officially censored upon its Chinese publication, Dream of Ding Village is based on a real-life blood-selling scandal in eastern China. The novel is the result of three years of undercover work by Yan Lianke, who worked as an assistant to a well-known Beijing anthropologist in an effort to study a small village decimated by HIV/AIDS as a result of unregulated blood selling. Whole villages were wiped out with no responsibility taken or reparations paid. Dream of Ding Village focuses on one family, destroyed when one son rises to the top of the party pile as he exploits the situation, while another son is infected and dies. The result is a passionate and steely critique of the rate at which China is developing and what happens to those who get in the way. “Lianke confronts the black market blood trade and the subsequent AIDS epidemic it sparked, in a brilliant and harrowing novel.” —Publishers Weekly, starred review
A satirical novel set in 1967 China from the Franz Kafka Prize-winning author of Lenin’s Kiss—“one of China’s greatest living authors” (The Guardian). Serve the People! is the story of a forbidden love affair between Liu Lian, the young wife of a Division Commander in Communist China, and a servant in her household, Wu Dawang. Left to idle at home while her husband furthers the revolution, Liu Lian establishes a rule for her orderly: whenever the household’s wooden Serve the People! sign is removed from its usual place on the dinner table and placed elsewhere, Wu Dawang is to stop what he is doing and attend to her needs upstairs. What follows is a “steamy and subversive” story and comic satire on Mao’s slogan and the political and sexual taboos of his regime (The Guardian). Originally banned in China, Serve the People! is the first work from Yan Lianke to be translated into English, and “a scathing sendup of life in 1960s China during the chaos of the country’s Cultural Revolution” (LA Times).
The village of Explosion was founded more than a millennium ago by refugees fleeing a volcanic eruption. But in the post-Mao era the name takes on a new significance as the community grows explosively. Three major families—linked by a complex web of loyalty, betrayal, desire and ambition—are the driving force behind their hometown’s transformation into an urban superpower. Brimming with intelligence and wit, The Explosion Chronicles considers the high stakes of passion and power, the consequences of corruption and greed, the polarising dynamics of love and hate between families, and the seemingly unstoppable excesses of capitalism—it is a smart, flamboyant and poetic tale of ambition...
A terrible drought hits the population of a small mountain village and they flee to better climes. Incapable of marching for days, one old man and his blind dog stay behind, keeping watch over his single ear of corn. Every day is a victory over death. The Years, Months, Days is a universal story, an homage to all that is good in mankind. A bestseller in China and now available in English for the first time, this is a powerful, moving fable by ‘one of China’s greatest living authors’ (Guardian).
Yan Lianke is one of the most important, prolific, and controversial writers in contemporary China. At the forefront of the "mythorealist" Chinese avant-garde and using absurdist humor and grotesque satire, Yan's works have caught much critical attention not only in the Chinese mainland, Hong Kong, and Taiwan but also around the world. His critiques of modern China under both Mao-era socialism and contemporary capitalism draw on a deep knowledge of history, folklore, and spirituality. This companion presents a collection of critical essays by leading scholars of Yan Lianke from around the world, organized into some of the key themes of his work: Mythorealism; Absurdity and Spirituality; and History and Gender, as well as the challenges of translating his work into English and other languages. With an essay written by Yan Lianke himself, this is a vital and authoritative resource for students and scholars looking to understand Yan's works from both his own perspective and those of leading critics.