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Beauty has captured human interest since before Plato, but how, why, and to whom does beauty matter in today's world? Whose standard of beauty motivates African Americans to straighten their hair? What inspires beauty queens to measure up as flawless objects for the male gaze? Why does a French performance artist use cosmetic surgery to remake her face into a composite of the master painters' version of beauty? How does beauty culture perceive the disabled body? Is the constant effort to remain young and thin, often at considerable economic and emotional expense, ethically justifiable? Provocative essays by an international group of scholars discuss aesthetics in aesthetics, the arts, the to...
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Morimura reinterprets in particular the works of famous painters . . . Requiem for the Twentieth Century shows historical twentieth-century figures, from Che Guevara to Mao Tsedong, from Chaplin's Hitler to Vladimir Lenin, caught in moments of fatigue and distress . . ."--P. [4] of cover.
Performing Remains is a collection of essays from one of Performance Studies' leading scholars, exploring the role of the fake, the false and the faux in contemporary theatre. Divided into seven essays, this book examines both contemporary and historical performance with a wide scope, questioning the importance of representation and reassessing the ritual value of failure.
A complete introduction to photography, this book is an essential resource for students across the visual arts. This accessible, inspirational guide explores the subjects and themes that have always obsessed photographers and explains technique in a clear and simple way. It introduces the work of the masters of the art as well as showing fresh, dynamic images created by young photographers from all over the world. The book also provides a valuable overview of careers in photography and a comprehensive reference section, including a glossary of technical vocabulary. This second edition has been extensively updated, with a greater range of visual examples from master photographers and up-to-date information on digital photography.
This is an analysis of complex forms of art history. It covers a broad range of approaches, presenting individual arguments, controversies and divergent perspectives. The book begins by introducing the concept of theory and explains why it is important to the practice of art history.
Surveying a wide range of exciting and innovative artists, Drucker demonstrates their clear departure from the past, petitioning viewers and critics to shift their terms and sensibilities as well.
Provides a collection of contemporary portraits from around the world.
Lying Bodies explores how to survive with invisible, non-normative identities by focusing on literally 'invisible' differences. The first half of the book attempts a theoretical account of the self in the field of vision, drawing on psychoanalytic theories of the formation of the self. In order for the survival of the self with a visual image that both enables and threatens it, the book proposes the strategy of 'the lying body', which combines mimicry with equivocality. The second half of the book demonstrates possible forms of 'the lying body' through an analysis of specific examples of cultural practices, including works by artists Cindy Sherman and Morimura Yasumasa, as well as the claim of invisible sexual differences by feminine-looking lesbians.