Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Poetry of Yehuda Amichai
The largest English-language collection to date from Israel’s finest poet Few poets have demonstrated as persuasively as Yehuda Amichai why poetry matters. One of the major poets of the twentieth century, Amichai created remarkably accessible poems, vivid in their evocation of the Israeli landscape and historical predicament, yet universally resonant. His are some of the most moving love poems written in any language in the past two generations—some exuberant, some powerfully erotic, many suffused with sadness over separation that casts its shadow on love. In a country torn by armed conflict, these poems poignantly assert the preciousness of private experience, cherished under the repeat...
The Selected Poetry Of Yehuda Amichai
Yehuda Amichai (1924-2000) was Israel's most popular poet, as well as a literary figure of international reputation. In this collection, renowned translators Chana Bloch and Stephen Mitchell have selected Amichai's most beloved poems, including forty poems from his later work. A new foreword by C.K. Williams, written especially for this edition, addresses Amichai’s enduring legacy and sets his poetry in the context of the new millennium.
Yehuda Amichai, a Life of Poetry, 1948-1994
In Temporary Poem of My Time, the Israeli poet writes: "Hebrew writing and Arabic writing go from east to west, / Latin writing, from west to east. / Languages are like cats: / You must not stroke their hair the wrong way."
A Study Guide for Yehuda Amichai's "Not like a Cypress"
A Study Guide for Yehuda Amichai's "Not like a Cypress," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
The Early Books of Yehuda Amichai
The Early Books of Yehuda Amichai collects for the first time in a single volume the three works -- Songs of Jerusalem and Myself, Poems and Time -- that established Amichai as Israel's greatest contemporary poet and one of the major poets of our time.
The Doubts and Loves of Yehuda Amichai
The Doubts and Loves of Yehuda Amichai: Israeli, European, and International Poet presents the life and works of Yehuda Amichai, born Ludwig Pfeuffer in Würzburg, Germany. The book is based on copious material from Amichai's personal archive in the Beinecke Library at Yale University, other archives and numerous interviews with family members and others who knew him well. Each phase of the biography is linked to its overarching historical context and provides a literary analysis of the key features of his writing. What emerges is a multifaceted picture of a crucial period in the 20th century in which Amichai was both a witness and an actor, without ever taking a simplistic, direct position ...
Open Closed Open
In poems marked by tenderness and mischief, humanity and humor, Yehuda Amichai breaks open the grand diction of revered Jewish verses and casts the light of his own experience upon them. Here he tells of history, a nation, the self, love, and resurrection. Amichai’s last volume is one of meditation and hope, and stands as a testament to one of Israel’s greatest poets. Open closed open. Before we are born, everything is open in the universe without us. For as long as we live, everything is closed within us. And when we die, everything is open again. Open closed open. That’s all we are. —from “I WASN’T ONE OF THE SIX MILLION: AND WHAT IS MY LIFE SPAN? OPEN CLOSED OPEN”
Yehuda Amichai
Yehuda Amichai is one of the twentieth century’s (and Israel’s) leading poets. In this remarkable book, Nili Scharf Gold offers a profound reinterpretation of Amichai’s early works and reconstructs his poetic biography. Her close reading of his oeuvre, untapped notebooks, and a cache of unpublished letters to a woman identified as Ruth Z. that Gold discovered convincingly demonstrates how the poet’s German past infused his work, despite his attempts to conceal it as he adopted an Israeli identity.
